frisbeehead
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Posted : Nov 3, 2014 13:20
actually this isn't very useful... you still need to realize that this examples have more to do with the programming that went on with each machine, much more so then the machine's intrinsic qualities contributing to define the sound.
threads like this have been around for ages now. there's a (somewhat) recent one where folks posted examples made with tons of machines, and some of them overlapped - and they all sounded very distinct! even when the same machine was used! so it's mostly about how you program the sound and how you go about processing it later on to shape it better and to make it fit your song!
there's no gold machine that clearly stands out from the crowd that's better suited for bass sounds! there's only what you feel best about and works for you!
PRO-Gram
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Posted : Nov 3, 2014 17:32
frisbeehead
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Posted : Nov 3, 2014 19:24
Quote:
On 2014-11-03 13:20, frisbeehead wrote:
there's a (somewhat) recent one where folks posted examples made with tons of machines, and some of them overlapped - and they all sounded very distinct!
^including me and many others who also took the time to post examples...
the point is that all these machines can produce a miriade of different sounding patches, depending on how they're programmed. so if this is meant to provide some clue as to what instrument is better suited for bass, then it's meaningless at best! cheers
woodster77
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Posted : Nov 3, 2014 19:52
Quote:
On 2014-11-03 17:32, PRO-Gram wrote:
Maybe not but he took the time to do it, upload it and post, so fair play.
amen to that bro
tbh...I find most bass lines stagnant. all really sound the same which is a shame//....
I know theres limits due to speed of track and mix profiles ...but fuck me its like watching kids play football....everybodies running after the ball
I don't mean to offend but its just how I feel
whatever happened to the musical exploration of texture and frequency
get a mike and go out and bang shit about
youd be surprised what you come up with
rather than spend fucking hours trying to shoehorn synths into a mix
sorry once again if this is a bit out of order ...but when theres no exploration theres little inspiration.
I gave up trying to write psy....why... well beause I wasn't really enjoying the journey
im, not trying to push my point on anyone by any means . but surely making music should be for the LOVE and JOY of doing it,,,,not for the sake of getting it right
get it wrong.....please. release your efforts and let them run free
like Bruce Lee said......"don't look at the finger....or you will miss ALL the heavenly glory"....
ok right I said it.... NOW DO YOUR WORST....lol°°°ACTS 4:12°°°°
PoM
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Posted : Nov 3, 2014 20:07
yep true .. thnaks for this always intresting to hear, but yeah proraming play a big role .
can you share the kick so i can compare to some other synths.
in spire try to use the built in compresssor , it can sound very..dunno how to say but it can work really good on the caracrete of bassline (didn t try on psy bass yet )
frisbeehead
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Posted : Nov 3, 2014 20:07
ok, never mind. will try and remember not to contribute an opinion on a public forum next time... cheers
woodster77
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Posted : Nov 3, 2014 20:18
Quote:
On 2014-11-03 20:07, frisbeehead wrote:
ok, never mind. will try and remember not to contribute an opinion on a public forum next time... cheers
c'mon bud. don't be like that.
your opinions just as valid as everyone else's...
I mean its not as if were talking bout DAW's.....lol synths are cool to argue about ....but DAW's mean WAR°°°ACTS 4:12°°°°
PoM
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Posted : Nov 3, 2014 20:21
esm still decent after all the years but some of these synth need to be sampled.
