The Mother Of All Studio Monitor Threads

On 2009-02-11 22:04, Kane wrote:
Ok, then muddy in the few rooms I've heard them in.

On 2009-03-19 04:30, naga wrote:
It's better to have too much than not at all, 32bit float suppose to give enough headroom for extra bass. and it can be fix on mastering process. feel the beat!

SBIR (Speaker Boundary Interface Response) - This is a term to describe how the proximity of a speaker to a hard boundary (wall/ceiling/floor) will change the response, especially in the low end. This is something that not a lot of people understand nor consider when planning a room.

Sound radiates from a driver in different ways. Higher frequencies act like a ray and move in straight lines from a point. As you get lower in the spectrum, they begin to radiate more like a sphere. By the time you get below 500Hz or so, you're getting pretty spherical radiation. By the time you get to 125, it's purely spherical.

That said, imagine sound coming from a driver at say 100 Hz that is coming directly at you. There are other waves that are wrapping around the cabinet and bouncing off the front wall and then back at you. When 2 waves of the same frequency meet in this way (one direct, one having bounced off the front wall) there is an interface of the 2 waves (some describe this as interference).

Constructive interference occurs when the 2 waves happen to be in phase with each other. This yields a reinforcement of that frequency or a peak in response. Destructive interference occurs when the 2 waves are 180 degrees out of phase. This yields a partial cancellation of that frequency (the bounced wave has less amplitude) resulting in a dip or null at that frequency.

This can cause WILD variations in frequency response. However, one can sometimes use this to your advantage. If you play with speaker positioning in relation to the front wall (behind the speakers) and the side wall, you can 'tune' the response changes. This can be beneficial when attempting to smooth overall response.

Let's say that you have peak at your listening position at a given frequency. If you can find a place that images well and works with the video positioning that will create a slight dip due to SBIR, the net effect is a smoother response at your seat. It's kind of like using an EQ without having to put one in your system.

Generally, you're best off if the distance from speaker face to front wall, driver centers to side wall, and driver center to floor are 3 different dimensions in order to not reinforce any specific set of harmonics by having all the boundaries generate the same SBIR effect.

If you still have issues, you can treat the walls directly beside and/or behind the speakers with appropriate materials to further reduce the intensity of the reflected wave to it's imact when interacting with the direct wave is minimized. If you have issues say from 125Hz up but OK below that, then a thinner panel may be in order - say 2". If you have problems all the way down, then something thicker may be appropriate.

Also remember that there will be interactions between the sub and boundaries and also between the sub and mains and their boundary responses.

On 2009-03-29 14:15, Fragletrollet wrote:
Got myself Focal Twin Be 6 a little while ago, and thats by far the best studio investment Ive ever done. Dont spend your money on crap; save a little longer and avoid buying twice...