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The Mother of all BASSLINES thread
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xochipilli1
Inactive User
Started Topics :
0
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8
Posted : Jan 17, 2006 23:07
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use tau bass line or use vb1 they are the bass for the bass line |
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index
IsraTrance Junior Member
Started Topics :
36
Posts :
548
Posted : Jan 24, 2006 21:03
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thanks god all bass issues are covered here.
Arent u guys bored listen and be told about "use the blah blah,or use the x blah blah"????
I am not trying to proove smth,but
U WILL NOT have a professional bassline for a couple of years at least more using vstis.
Thats the truth.
FACE IT.
If the source material isnt good enough,it wont be using several other ways.
That counts in all matters.
Tau sux,vb1 its "bouzouki"-->sux too.
Applied acoustics AAS has a good saw waveform for bass,but its just good,
the best u can have this moment.
 HTTP://www.decadancerecords.it/audioplug |
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the daleks
The Daleks
Started Topics :
34
Posts :
584
Posted : Jan 25, 2006 02:10
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agreed 100%, this thread is dead
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I am not trying to proove smth,but
U WILL NOT have a professional bassline for a couple of years at least more using vstis.
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also agreed, you must use AUs! 
no really, theres gotta be some more interesting things about basslines...
what about structure? does it have to be k-b-b-b with side chain to make it trance?
Gamma Riders EP out now on iTunes and Amazon.com!
The Daleks : www.myspace.com/thedaleksupreme
A-Boys : www.myspace.com/akibaboys |
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Freeflow
IsraTrance Full Member
Started Topics :
60
Posts :
3709
Posted : Jan 25, 2006 05:29
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ana3imandros - your truth might differ from others 
so you cant have a professional baseline with vsti but you can have a professional lead? or pad?
comon  |
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index
IsraTrance Junior Member
Started Topics :
36
Posts :
548
Posted : Jan 25, 2006 16:27
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but you can have a professional lead? or pad?
comon
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U ve got a point but i guess that mixing textures and can do the job even if u dont have the r8 source,
although i ve listen to many hardware ppl that have suckin production and sounds.
Dance is based on bass.
Getting a kickin bass is fuckin difficult even if using hardware,but with todays vsti's its almost impossible.
I d suggest also hypersonic 2,i got it these days and its vst engine(it has vst and samples) its away from other lamah vsts.
Man believe me i d also love not to get messing with my virus some times,cause of flexibility but even if its PT LE,or Powercore it lucks of dynamics
HTTP://www.decadancerecords.it/audioplug |
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phobic
Started Topics :
5
Posts :
25
Posted : Jan 31, 2006 04:23
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Reason 1.0.
What kind of waves to I start with to make a tight bass. Sine waves?
Anyone wanna explain? |
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punkah
Started Topics :
6
Posts :
210
Posted : Feb 1, 2006 00:46
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On 2006-01-31 04:23, phobic wrote:
Reason 1.0.
What kind of waves to I start with to make a tight bass. Sine waves?
Anyone wanna explain?
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most of the stuff people told about about bass synthesis also apply to subtractor. saw wave my friend, with the cosmosis very nice "how to" u can manage to start understanding how to program a basic bass on subtractor. check it: http://www.cosmosis.co.uk/cms/index.php?option=com_content&task=view&id=20&Itemid=40
any doubts, PM me.
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CrunchiMonkey
IsraTrance Junior Member
Started Topics :
10
Posts :
56
Posted : Feb 1, 2006 10:06
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First a tip on creating a 3D bass:
1. Load up two of the same synths, for example the stomping new abpro.
2. Make your patch on one synth and load it onto the other one.
3. Have them both play the bassline and pan one hard right and the other hard left.
4. Enjoy.
Now, a question. Most of my bass patches are single oscillator patches, because it sounds tighter and there's no phase difference cancelling out freqs (i.e not enough POWER!!!!) . For those out there that have used more than 1 effectively: got any tips? how would a create a tight bass using more than one osc? Some of really dark growly basslines seem to be too complex to be one osc....
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Yellow Warrior
IsraTrance Junior Member
Started Topics :
35
Posts :
898
Posted : Feb 1, 2006 22:29
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Can someone please listen to this track and tell me what the hell is going on with my bassline or the whole tracks for that matter 
it sounds ok to me on my headphones but when i play it on my computer speakers, it sounds a bit off. It sounds like the kick hits and then there's a gap and then the bassline starts. its very annoying. but like i said it sounds ok on my headphones(Sennheiser hd25)
Can someone please help me out!!
@crunchimonkey: sorry about butting in when you asked a question man but you can obviously make basslines. I can;t do that even, am pretty desperate! 
Sorry and Thanks!
oh, the track is by no means finished and its only my 2nd track, please be gentle.
here is the link - www.sounclick.com/wakantanka
Its called Jah Rastafari
Thanks again!
bharath.
Rather than feeling that you're about to have the rug pulled from under you, let me teach you how to dance on a flying carpet |
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CrunchiMonkey
IsraTrance Junior Member
Started Topics :
10
Posts :
56
Posted : Feb 2, 2006 05:32
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Bharath:
You're doing pretty good for your second track, I take it you've only been writing for a short while.
Dr. Crunchi will comment on your bassline since this is the bassline thread.
The patient seems to be suffering from a lack of a proper filter envelope. by setting the cutoff to 0 and adding a nice quick decay to the env, you can create more of a plucking sound and less of a brump brump sound. The note length could be lengthened or the release slightly tweaked.
The note velocities should be played with to create a groove (if you want more groove, that is)
I'll also prescribe a dose of EQ and recommend a healthy portion of compression.
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Yellow Warrior
IsraTrance Junior Member
Started Topics :
35
Posts :
898
Posted : Feb 2, 2006 13:11
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On 2006-02-02 05:32, CrunchiMonkey wrote:
Bharath:
You're doing pretty good for your second track, I take it you've only been writing for a short while.
Dr. Crunchi will comment on your bassline since this is the bassline thread.
The patient seems to be suffering from a lack of a proper filter envelope. by setting the cutoff to 0 and adding a nice quick decay to the env, you can create more of a plucking sound and less of a brump brump sound. The note length could be lengthened or the release slightly tweaked.
The note velocities should be played with to create a groove (if you want more groove, that is)
I'll also prescribe a dose of EQ and recommend a healthy portion of compression.
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Hey, Thanks Doc!
I'm using the audiorealism for my bassline. i will try those prescriptions on the patient and hopefully she'll be up and about in no time!!!
Thanks for your time mate, err...Doc!
Ok, Peoples, back to crunchi's question now....
Rather than feeling that you're about to have the rug pulled from under you, let me teach you how to dance on a flying carpet |
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Elad
Tsabeat/Sattel Battle
Started Topics :
158
Posts :
5306
Posted : Feb 3, 2006 13:50
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Quote:
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On 2006-02-01 10:06, CrunchiMonkey wrote:
First a tip on creating a 3D bass:
1. Load up two of the same synths, for example the stomping new abpro.
2. Make your patch on one synth and load it onto the other one.
3. Have them both play the bassline and pan one hard right and the other hard left.
4. Enjoy.
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pritty simple.. no 3d effect here.. and why yhe hell do it with 2 synths? make one and double the .wav later.
beside if u dont give one of them fx (modulators i meen) or some delay (latency not plugin) so mono will sound the same.
www.sattelbattle.com
http://yoavweinberg.weebly.com/ |
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CrunchiMonkey
IsraTrance Junior Member
Started Topics :
10
Posts :
56
Posted : Feb 4, 2006 05:52
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On 2006-02-03 13:50, tsabeat wrote:
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On 2006-02-01 10:06, CrunchiMonkey wrote:
First a tip on creating a 3D bass:
1. Load up two of the same synths, for example the stomping new abpro.
2. Make your patch on one synth and load it onto the other one.
3. Have them both play the bassline and pan one hard right and the other hard left.
4. Enjoy.
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pritty simple.. no 3d effect here.. and why yhe hell do it with 2 synths? make one and double the .wav later.
beside if u dont give one of them fx (modulators i meen) or some delay (latency not plugin) so mono will sound the same.
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*sigh* First of all, I don't appreciate that agressive tone when I'm just trying to contribute to people starting out.
Second of all, you could do 2 mixdowns to save cpu if cpu is an issue. I havn't tried it, it might effect the overall sound. One thing you can't just do is "double the .wav" You need two recordings. That defeats the whole point! read on..
Third, it will not sound the same and it DOES have a 3D effect to it. Use audiorealism and try it for yourself. You're obviously not aware that analog synths contain small differences in the sound which your ear picks up as movement in the frequency spectrum. Also the two oscillators will be slightly out of sync, adding to the "wideness" of the sound. (it's more pronounced with headphones, btw) As you said, adding a tiny delay of about 10-40ms between the tracks is another way to achieve wideness or sterio imaging of a mono recording. But that's not what I'm on about!
Bharath: cool, tell me how it works out.
Oh and if I offended anyone with the dr analogy, I'm not pretending to be lke the master producer of the universe or anything.. my tracks are crap. Im just kidding around!  |
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Mute
IsraTrance Full Member
Access Gremlin
Started Topics :
51
Posts :
1046
Posted : Feb 6, 2006 06:49
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ok guys im using vb-1 bass for my track , i get this humm on the basss , any suggestion as to what eq needs to be cut or maybe some plugin suggestions for correcting the low humming sound?
help would be appreciated
tnks
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Redax Mental
IsraTrance Junior Member
Started Topics :
49
Posts :
759
Posted : Feb 6, 2006 21:41
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On 2005-02-19 21:59, Colin OOOD wrote:
Pentagon
Albino
Trilogy
Subtraktor
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yeahhhh ...thats what i am talkin...this is what i use also
BUT the most of all ALBINO roxxxxxxxx
regards |
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