minddoctorsmakeacid
IsraTrance Full Member
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Posted : Jul 26, 2011 01:57
Quote:
On 2011-07-25 17:59, sento wrote:
Quote:
On 2011-07-25 00:19, minddoctorsmakeacid wrote:
Quote:
On 2011-07-24 23:54, sento wrote:
How good is the Nord Lead for bass?
I mean is worth the money or I can just do great with a Tetra or other Vsts?
Its complicated to do a nice bass with just tetr4 but if you post-process it it will sound very nice. I have it and use it for everything except bass but thats me. I prefer cronox2 or ACE for bass
What do u mean post process and why u need that on Tetra synth?
Anyway I will rewrite my question:
I got a Virus TI, so because is so expensive and complex like, I said to myself I'll do all sounds with it.
The thing is that for bass is pretty weak, maybe because of the oscilators..
Now: I was thinking to buy a Nord Lead probably NL 3 for bass and not only, but I don't think is gonna be better than my Tetra, Virus TI or even some VSTs la Ace for bass creation.
So, what's ur oppinions guys on Virus TI, Nord Lead(3) and DSI Tetra for great psy bass compared even with some vsts.
Thanks a lot and sorry for the long post!
Use Virus for high end because its cleaner and more digital and that makes it add more clarity for the hi end and use tetr4 for the low end because its really fat.
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faxinadu
Faxi Nadu / Elmooht
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Posted : Jul 26, 2011 01:59
this obsession must stop you can make a bassline with any of those synths you mentioned, they are all awsome and all provide a unique texture.
The Way Back
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supergroover
IsraTrance Junior Member
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Posted : Jul 26, 2011 11:16
PoM
IsraTrance Full Member
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Posted : Jul 28, 2011 04:18
lol sound a bit like the bass will was looking for on the other topic.
anyone use ESM?
cunny_boy
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Posted : Dec 14, 2011 09:44
Hey All
Still new to all of this. I have been playing around a lot with vb-1 and I am trying to get close to Abomination's bass but I pretty much suck.
Am I perhaps using the wrong vst for this?
Perfect example of what I am looking for. Sorry for the newbishness but we have to start somehwere and I would appreciate all the help I can get.
Thanks
supergroover
IsraTrance Junior Member
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Posted : Dec 14, 2011 10:30
Doesnt sound like the vb1 to me. Try any other synth that has more options. For example sylenth.
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golem
IsraTrance Full Member
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Posted : Dec 29, 2011 05:00
I had the chance to try different basslines today with a club soundsystem. All of them is done by the same synth (Sylenth). For my surprise the clearly best one was a bassline that had a 12db cut in about 60hz, near the fundamental of the bass. And another smaller cut from lowmid mud. And there was also a small boost in first harmonic
How many of you have the same experience? I mean it would be intuitive to have a lot of fundamental in the bassline but my theory is that an ordinary club subwoofer cannot keep very well in the pace when you have a lot of subs both in kick and a fullon bassline and the end result is a muddy sub bass.
So if you create a psy bassline from an ordinary saw wave, how much do you usually cut and from where...?
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Alien Bug
IsraTrance Junior Member
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Posted : Dec 29, 2011 20:10
You mean HiPass filter? I already do not use it, there is no need for digital synthesizer where there is practically nothing below the first harmonic. This type of filter was used to remove dirt from ripping the analog signal. In the days of 100% digital sound, it serves only to change the tone to its detriment. Another case when signal is treated later various enhancers, but is not mentioned about it now.
willsanquil
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Posted : Dec 29, 2011 21:09
Eh, I cut bass below ~30 usually and I find that even with socalled pristine 100% digital sound it helps with removing some muddiness and bad sounding low end rumble from the mix
If you want to make an apple pie from scratch...you must first invent the universe
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Equilizyme
IsraTrance Junior Member
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Posted : Dec 30, 2011 00:04
I usually remove everything 10Hz below the fundamental with a 12db/decade filter. Then A/B a rather wide 2db boost on the fundamental, the first harmonic, and a rather sharp cut in the low mids, sequentially. After A/Bing i usually decide not to EQ, or maybe just the boost on the fundamental/1st harm.
I think tho that using some overdrive in the midfreqs can yield better result than boosting sometimes.
--
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