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Yay?

Sixofour

Started Topics :  9
Posts :  71
Posted : May 4, 2008 23:14:41
http://www.tindeck.com/audio/my/rzgx/gulpbass

Or Nay?

I love it...been working on it for a loooong time!

edit: please don't tell me the obvious..of course its only a bass clip.
Medea
Aedem/Medea

Started Topics :  127
Posts :  1132
Posted : May 4, 2008 23:35
it doesn't sound like a bass =)           http://soundcloud.com/aedem
Sixofour

Started Topics :  9
Posts :  71
Posted : May 5, 2008 00:24
Its a bass.

You mean it doesn't sound like most basses? A bass is anything that uses sub-frequencies.

I'm still working on syncing the vowel/throat changes.
bandarlog
Bandarlog

Started Topics :  44
Posts :  809
Posted : May 5, 2008 01:16
I'd say nay... It's the overused delay lama sound with ugly reverb on it and sequenced in a mediocre way.           http://www.soundcloud.com/bandarlog
http://www.ektoplazm.com/free-music/bandarlog-memoirs-of-the-moment
Medea
Aedem/Medea

Started Topics :  127
Posts :  1132
Posted : May 5, 2008 02:21
Quote:

On 2008-05-05 00:24, Sixofour wrote:
A bass is anything that uses sub-frequencies.



Can't agree           http://soundcloud.com/aedem
Sixofour

Started Topics :  9
Posts :  71
Posted : May 5, 2008 02:31
What is delay lama? And when was it over used? Because ive never heard this sound in anything in the past..oh 8 years.

Which have all had the same bass.

Madea, then what do you consider a bass?

Medea
Aedem/Medea

Started Topics :  127
Posts :  1132
Posted : May 5, 2008 03:41
Quote:

what do you consider a bass?



At least, bass is a sound where frequencies below 100-150 Hz are the loudest )           http://soundcloud.com/aedem
Sixofour

Started Topics :  9
Posts :  71
Posted : May 5, 2008 04:24
Hrm. I suppose that works too.
Mesq
Reality Pixie

Started Topics :  34
Posts :  671
Posted : May 5, 2008 06:58
The only real bass note in this clip is the D# which is the fundamental... all the formant stuff sounds really bad sorry. I would never use this as a bass as it would clash with midrange frequencies you would want to use for Leads etc..

Think about what you are trying to make a bass sound for... maybe it will suit your purposes for whatever music you are trying to make. For psytrance this bass is a definite nay.
Sixofour

Started Topics :  9
Posts :  71
Posted : May 5, 2008 08:56
lol..you believe there is a such thing as notes that arn't proper for bass?

No offense..but its no wonder nothing new comes around anymore.

How is D# the only 'bass note'? Bass can be any note on the scale...A through F. Preferable on the same key as the lead. If you want harmony that is.

Btw..i know its not psy, never said it was...but there is no where else on the net where people listen to something even remotely close to what i produce. Most of the psy basslines ive heard, unfortinatly..all sound like the default setting for Muon Tau 2...just exprimenting with something different. Most of them don't even have a melody..they are a monotone bump you hear inbetween kick sounds. Which isn't bass. Infact, i don't think ive ever heard a psy bass with a real melody.
Spycht


Started Topics :  6
Posts :  194
Posted : May 5, 2008 09:38
Quote:

On 2008-05-05 08:56, Sixofour wrote:
Infact, i don't think ive ever heard a psy bass with a real melody.



Oh no he didn't.
Sixofour

Started Topics :  9
Posts :  71
Posted : May 5, 2008 10:06
I am serious.

I really cannot recall any song where the bass was anything more than a a part of the percussion. Maby i'm forgetting something? ive listen to several psy channels, like the ones at DI.FM for instance..and have wondered when the next song is going to come around, because the beat/bass are the exact same.

A bass is a part of the song that should, imho, have a melody as complex and astral/emotional/touchy-feely..as the lead. The bass is a melody that covers the low end, and the lead is a melody that covers the high end. With secondary lead/bass covering sections of the mid. And ambience spanning pretty much the entier spectrum with out going into the sub. Percussion can be anywhere, as the sound is unique enough to stand out.
Colin OOOD
Moderator

Started Topics :  95
Posts :  5380
Posted : May 5, 2008 15:40
IMO. Most people are scared of using melodies in the bass because they either don't understand theory well enough or don't have the analytical listening skills to make a 'moving' bassline work with all the other elements of a track without sounding cheesy.

Plus, duggadugga is killar on the dancefloor so why bother trying to do anything new?

No problem though, all it means is that the good tunes sound even gooder.

And sixofour - you talk a good talk, now let's hear YOUR complex and astral/emotional/touchy-feely bassline melodies           Mastering - http://mastering.OOOD.net :: www.is.gd/mastering
OOOD 5th album 'You Think You Are' - www.is.gd/tobuyoood :: www.OOOD.net
www.facebook.com/OOOD.music :: www.soundcloud.com/oood
Contact for bookings/mastering - colin@oood.net
mubali
Mubali

Started Topics :  71
Posts :  2219
Posted : May 5, 2008 17:05
Quote:

On 2008-05-05 02:31, Sixofour wrote:
What is delay lama? And when was it over used? Because ive never heard this sound in anything in the past..oh 8 years.




http://forum.isratrance.com/delaylama-compilation/           An Eagle may soar, but Weasels don't get sucked into jet engines.
AcidForAll


Started Topics :  5
Posts :  135
Posted : May 5, 2008 17:13
Quote:

On 2008-05-05 15:40, Colin OOOD wrote:
Plus, duggadugga is killar on the dancefloor so why bother trying to do anything new?

No problem though, all it means is that the good tunes sound even gooder.



Plus, a lot of people just don't want any obvious melody, more structures built up by crazy sounds layered on the top of a monotonous bassline!!
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