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ways to introducing new synths
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zabot
IsraTrance Junior Member
Started Topics :
25
Posts :
174
Posted : Mar 19, 2013 18:03:02
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hey zions .
i know there was a post about this some time ago, i have used the search but doesn't work....
so which aways do y guys do, to introducing synth arps leads etc before the boom!
one way i do is: the common filter up or down but im tired of doing this allready .
How do you guys do it ?
Cheers!
  thoughts become things
www.soundcloud.com/zabot |
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woodster77
IsraTrance Full Member
Started Topics :
119
Posts :
1733
Posted : Mar 19, 2013 18:36
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ask nectarios. his passes are the biz, very minimal and totaly got the flow working |
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supergroover
IsraTrance Junior Member
Started Topics :
39
Posts :
1505
Posted : Mar 19, 2013 19:33
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- Volume fade in
- HPF fade in
- Just start 
soundcloud.com/supergroover |
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zabot
IsraTrance Junior Member
Started Topics :
25
Posts :
174
Posted : Mar 19, 2013 19:59
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[quote]
On 2013-03-19 19:33, supergroover wrote:
- Volume fade in
- HPF fade in
- Just start ;)
[/quote]
its the way i do almost everything when i wanna introduce something, would be cool see more techniques.
cheers!
thoughts become things
www.soundcloud.com/zabot |
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makus
Overdream
Started Topics :
82
Posts :
3087
Posted : Mar 19, 2013 20:00
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Fakso
IsraTrance Junior Member
Started Topics :
12
Posts :
179
Posted : Mar 19, 2013 20:34
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depends in the style I guess but a small break with rising sounds and then PAM! break ends and new sound sets in
when progressive, I find it easy to introduce a sound when you changing the bassline pattern, it's like a entering the next level of the track/break-like for the floor, time the regain some energy
https://soundcloud.com/noordzee-laborant |
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The Shanti Beat
Started Topics :
8
Posts :
52
Posted : Mar 19, 2013 20:35
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Nice one Makus ! |
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makus
Overdream
Started Topics :
82
Posts :
3087
Posted : Mar 20, 2013 00:44
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Geom3
IsraTrance Junior Member
Started Topics :
12
Posts :
479
Posted : Mar 20, 2013 00:53
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a heart brake
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OzMike
IsraTrance Full Member
Started Topics :
148
Posts :
1681
Posted : Mar 20, 2013 03:08
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You know the best things to do is like build it up to a big break/drop then when the drums slam back in just launch the massive synth sound. Like what Skrillex does. Really psychedelic and amazing producer he is. Infected Mushro tried to copy but couldn't come close.
You need to channel Skrillex & become the SKrillex of psy trance. Who cares about the hippies? They never pay for anything anyway, make music that sells & then make the music that doesn't that you love on the side!
I've been making crappy electro shit for the last 2 years for advertising companies to use in their ads, money is pretty good and now I can afford a bunch of quality gear for my new home studio.
Psykrillex!!
Cuntus Maximus. |
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Geom3
IsraTrance Junior Member
Started Topics :
12
Posts :
479
Posted : Mar 20, 2013 04:31
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i need to channel Skrillex??ah thanku 
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OzMike
IsraTrance Full Member
Started Topics :
148
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1681
Posted : Mar 20, 2013 09:12
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I have no issues myself with making music that sells. It pays the bills & let's me purchase more gear or other cool stuff.
I have played keyboard in a band for the last 2 years that sound like a Coldplay clone. I cannot really stand the music at all, but they get paid regular gigs and it means that twice a week I get around $200 for playing my keyboard for an hour. I also usually get free drinks at the pub/bar & a free meal. On top of which the electro house crap I make for ads brings regular money in as well.
It beats sitting at a desk wishing I was makin music. I'd rather make music I don't enjoy than being stuck in an office or in a factory wishing I could be playing music instead.
Cuntus Maximus. |
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Alien Bug
IsraTrance Junior Member
Started Topics :
27
Posts :
682
Posted : Mar 20, 2013 12:59
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Chemogen
IsraTrance Full Member
Started Topics :
166
Posts :
713
Posted : Mar 20, 2013 23:13
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frisbeehead
IsraTrance Junior Member
Started Topics :
10
Posts :
1352
Posted : Mar 22, 2013 20:37
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If you have a phrase you've written, that's going to blast next, make a slower version of it, or some notes short, some longer, maybe a longer one with some modulated movement reaching out to the drop. and just fire away the phrase you had made for your lead next. this brings a taste of what comes next to your tune, plays with the public's expectations and gives very good, organic results. it's one way to go...
even reversing some notes before the drop, and adding some vacuum sort of sound before always adds some intensity to it as well. |
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