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vst effects, Filter?
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parxal
IsraTrance Junior Member
Started Topics :
20
Posts :
3
Posted : Oct 11, 2002 20:49
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i need a good filter effect (vst plugin) can anyone tell me one?
the logic audio filter is very good, but isn't a vst...
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Kitnam
Mantik
Started Topics :
110
Posts :
1151
Posted : Oct 11, 2002 22:16
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i just know a lot vst-instruments within filters (northpole, ohmboys, predator,...) but not one
standalone "filter".
but the effect of filtering is easely realizable with every EQ .. nearly its the same, just another perspective ...
what are ur plans with filtering? |
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Jason (LyTe)
IsraTrance Junior Member
Started Topics :
43
Posts :
1626
Posted : Oct 11, 2002 22:35
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try the BlueFilter, from the Blue Vst pack; you can also try the Sonic Foundery plugin pack, it has a nice filter effect on it.
as for VSTi's, many stand-alone synth have their own filter/s, but i prefer to have a clear sound and using an controled effect filter for the desired effect.
and kitnam, i belive you are mistaken. there's a difference between a Filter and EQ.
 "We Do Not Allways See Things As They Are. We See Things As We Are" -Ancient Chinese Proverb
LyTe Email:TechnoLyte@gmail.com |
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Kitnam
Mantik
Started Topics :
110
Posts :
1151
Posted : Oct 12, 2002 15:03
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tell me jason... im just a self-teacher
whats the exact difference between ? |
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Jason (LyTe)
IsraTrance Junior Member
Started Topics :
43
Posts :
1626
Posted : Oct 12, 2002 15:38
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lets take a low-pass filter, for example, meaning, that high frequencies are attenuated, sometimes with a slope of 24dB/octave. Above the cut-off frequency in a 24dB/octave filter, as the frequency doubles, the output voltage is reduced to a sixteenth. This is the first and major difference between a low-pass filter and standard EQ. With conventional equalisers the slope will be a mere 12dB/octave or 18dB/octave, which reduces the levels of higher frequencies but still leaves them dible. A slope of 24dB/octave chops them off. The result is that you can input a signal with an irritating fizzy high end and reduce the cut-off frequency to leave only the useful components. With a 24dB/octave filter the result can still be sharp and incisive whereas, with a 12dB/octave or 18dB/octave filter, by the time you have eliminated the fizziness, the sound will just be dull.
Although a simple 24dB/octave filter is a powerful tool, analogue synthesisers commonly have a resonance control too. The resonance control sets a certain amount of boost just below the cut-off frequency. This is, in fact, more of a synthesis tool and, even for Extreme EQ, you would only need to use a fraction of the boost that is available. Conventional EQ`s never have a resonance control like this, and the Q control of a parametric just isn't the same thing.
"We Do Not Allways See Things As They Are. We See Things As We Are" -Ancient Chinese Proverb
LyTe Email:TechnoLyte@gmail.com |
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medir
Inactive User
Started Topics :
113
Posts :
1193
Posted : Oct 14, 2002 08:05
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try zapfilter, isn t as good as e.g. logics autofilter, but it has some weired noises too...
waldorf d-pole, but 4 me it s very complicate 2 use...but try, it can do very strange noises ( fiiiiipppPppp )...
bom
[ This Message was edited by: Mike A on 2002-10-14 16:23 ] experiment !
make it your motto day and night.
experiment,
and it will lead you to the light.
the apple on the top of the tree
is never too high to achieve,
so take an example from eve...
experiment ! |
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