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synthesize a whistle?
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psyraal
IsraTrance Full Member
Started Topics :
77
Posts :
768
Posted : Nov 28, 2012 22:57:48
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Suloo
IsraTrance Full Member
Started Topics :
87
Posts :
2822
Posted : Nov 29, 2012 00:15
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low volume, lowpassfilter , longer reverb, maybe a little bit of distortion 
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Oni Katsu
Li/fe
Started Topics :
101
Posts :
704
Posted : Nov 29, 2012 01:00
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I found a whistle preset once.
So basically it concisted of a White noise osc.
And it was distorted, with a really heavy amount of resonance. Like really heavy. Then play with the cutoff, and do this at low volume yes.
You need to be really really careful with cutoff. :l
http://soundcloud.com/li-fe
I said I like it dirty, not muddy. |
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Suloo
IsraTrance Full Member
Started Topics :
87
Posts :
2822
Posted : Nov 29, 2012 01:28
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elastic_plastic
Re-Boot
Started Topics :
112
Posts :
1612
Posted : Nov 29, 2012 10:26
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white noise - Adjust ADSR settings
low pass filter
High Resonance
Automated Cutoff |
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Oni Katsu
Li/fe
Started Topics :
101
Posts :
704
Posted : Nov 29, 2012 18:53
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Quote:
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On 2012-11-29 10:26, elastic_plastic wrote:
white noise - Adjust ADSR settings
low pass filter
High Resonance
Automated Cutoff
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i tried just for shits and gigs, and found bandpass to be the best sounding filter.
also 6-7 voices sounded better than 1.
http://soundcloud.com/li-fe
I said I like it dirty, not muddy. |
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Babaluma
IsraTrance Junior Member
Started Topics :
18
Posts :
729
Posted : Nov 30, 2012 10:17
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psyraal
IsraTrance Full Member
Started Topics :
77
Posts :
768
Posted : Dec 3, 2012 20:40
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Djones
IsraTrance Senior Member
Started Topics :
267
Posts :
1766
Posted : Dec 3, 2012 23:09
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How would you synthesize a mouth harp? |
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Babaluma
IsraTrance Junior Member
Started Topics :
18
Posts :
729
Posted : Dec 4, 2012 13:22
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Oni Katsu
Li/fe
Started Topics :
101
Posts :
704
Posted : Dec 5, 2012 10:27
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Quote:
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On 2012-12-04 13:22, Babaluma wrote:
bassy, very thin pulse wave into two bandpass filters in series (try parallel too, not sure...) would be the audio side. the control side would be more difficult, joysticks might help, along with a nice envelope gen.
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I fell off at paralell.
http://soundcloud.com/li-fe
I said I like it dirty, not muddy. |
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Babaluma
IsraTrance Junior Member
Started Topics :
18
Posts :
729
Posted : Dec 5, 2012 10:45
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it's easy, you have a modular synth with all the modules needed.
1) series means the audio goes through one BPF, out of that, into another BPF, and out of that. one, then the other, in a straight line, so to speak.
2) parallel means the same audio is multed, and fed to the two BPFs at the same time. the two outputs from the BPFs are then mixed together.
the resulting sounds you get when processing in series vs. parallel configurations can be very different. the korg ms-20 operates it's LPF and HPF in series, for example.
using a very bassy and thin pulse wave will give you the throaty, organic vocal type sound to start off with.
using the two BPFs will create two formants, and if you can find the right frequencies, you'll get very vocal type sounds, just like a jew's harp.
a basic textbook on synthesis, such as allen strange's "Electronic Music: Systems, Techniques, and Controls", explains this well, but you really need to try it out!
http://hermetechmastering.com : http://www.discogs.com/artist/Gregg+Janman : http://soundcloud.com/babaluma |
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Djones
IsraTrance Senior Member
Started Topics :
267
Posts :
1766
Posted : Dec 5, 2012 20:11
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Quote:
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On 2012-12-05 10:45, Babaluma wrote:
it's easy, you have a modular synth with all the modules needed.
1) series means the audio goes through one BPF, out of that, into another BPF, and out of that. one, then the other, in a straight line, so to speak.
2) parallel means the same audio is multed, and fed to the two BPFs at the same time. the two outputs from the BPFs are then mixed together.
the resulting sounds you get when processing in series vs. parallel configurations can be very different. the korg ms-20 operates it's LPF and HPF in series, for example.
using a very bassy and thin pulse wave will give you the throaty, organic vocal type sound to start off with.
using the two BPFs will create two formants, and if you can find the right frequencies, you'll get very vocal type sounds, just like a jew's harp.
a basic textbook on synthesis, such as allen strange's "Electronic Music: Systems, Techniques, and Controls", explains this well, but you really need to try it out!
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You mean analog modular right?
I don't think the Virus filters for example are good enough.
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Babaluma
IsraTrance Junior Member
Started Topics :
18
Posts :
729
Posted : Dec 6, 2012 12:52
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Oni Katsu
Li/fe
Started Topics :
101
Posts :
704
Posted : Dec 6, 2012 13:26
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Quote:
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On 2012-12-04 13:22, Babaluma wrote:
bassy, very thin pulse wave into two bandpass filters in series (try parallel too, not sure...) would be the audio side. the control side would be more difficult, joysticks might help, along with a nice envelope gen.
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I fell off at paralell.
http://soundcloud.com/li-fe
I said I like it dirty, not muddy. |
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