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Share your acid 303 recipes!
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SineFreq
Started Topics :
1
Posts :
139
Posted : Aug 11, 2010 22:20
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On 2010-08-07 09:21, naretir wrote:
My farts have too long sustain.. lol
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That's what Kontakt is for. Take your fart sample cut to size, then add amp envelope seal it up and send it to someone else so they can experience it  or make acid.
Don't forget to label it something nice too.
Like Effervescent Waterfalls and place it in a nature sample folder.
cheers. |
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SineFreq
Started Topics :
1
Posts :
139
Posted : Aug 11, 2010 22:21
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On 2010-08-11 15:45, Ascension wrote:
Pitch bend your butt cheeks!
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You can do that? Woah!!! News to me |
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mist
IsraTrance Full Member
Started Topics :
68
Posts :
642
Posted : Aug 11, 2010 22:58
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On 2010-08-11 15:45, Ascension wrote:
Pitch bend your butt cheeks!
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lol of the day there, kev. 
for squealchy 303 sounds, i use my korg...
to replicate 808/909 sounds, a roland... which isn't replication at all, i guess.
just an old gearwhore here. haven't gotten into all those fancy new vsts... 
 Are you connected to yourself?
http://soundcloud.com/justincaseboy |
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V3NOM
Inactive User
Started Topics :
131
Posts :
2234
Posted : Aug 12, 2010 07:48
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I've always just borrowed my good friends two original 303's, his 808n& his 909.
nothing works better!
I hate you, you hate me, we are all so hap hap happy! |
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Nectarios
Martian Arts
Started Topics :
187
Posts :
5292
Posted : Aug 12, 2010 18:55
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The 303 waveforms in EXS 24, select the 18db/8ve LPF, into Logic's Guitar Amp Pro. Some amp emulations do sound like that trashy BOSS distortion pedal.
Not like the real thing, but does the trick.
http://soundcloud.com/martianarts |
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Insomniscene
Started Topics :
9
Posts :
57
Posted : Sep 14, 2010 15:28
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Been looking for a thread/page like this for ages (I'm new here, by the way)...
What do you find the best automation for a 303 sound is? I'm working on a track currently and want it 303 heavy, but the automation I've tried so far isn't quite what I want, it doesn't hold interest and gets tedious very quickly...I'm using a tweaked preset on the Sylenth.
Any advice is appreciated! |
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marcz
IsraTrance Junior Member
Started Topics :
15
Posts :
47
Posted : Sep 14, 2010 16:38
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On 2010-09-14 15:28, Insomniscene wrote:
Been looking for a thread/page like this for ages (I'm new here, by the way)...
What do you find the best automation for a 303 sound is? I'm working on a track currently and want it 303 heavy, but the automation I've tried so far isn't quite what I want, it doesn't hold interest and gets tedious very quickly...I'm using a tweaked preset on the Sylenth.
Any advice is appreciated!
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filter cutoff and.. resonance perhaps? maybe a liiiittle pitch mod on one of the lfo's along with the automation on the rate or gain.
pretty basic but takes away that static feeling |
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Nectarios
Martian Arts
Started Topics :
187
Posts :
5292
Posted : Sep 14, 2010 17:25
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Has anyone sat down and had a go at programming a real 303? Forget using your keyboard to jam notes in, its a small sequencer.
Besides the characteristic oscillator and filter sound, one of the things that make it stand out is the way you program the accents and glides of individual notes. Remember that when you're programming your next 303 line using software, and most importantly, leave the keyboard out and dial notes in, caring for the accents/glides.
http://soundcloud.com/martianarts |
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A.Rosengren
Solid Snake
Started Topics :
266
Posts :
4139
Posted : Sep 15, 2010 00:43
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That's the whole point of a 303, the glides and accent. Without those unique features the synth would be one in a million.
I've had the pleasure of playing with a xoxbox for a couple of hours and made a lot of cool stuff on it. Never seen the original though.
A
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PoM
IsraTrance Full Member
Started Topics :
162
Posts :
8087
Posted : Sep 15, 2010 11:26
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in a synth you could try set it as mono for the glide stuff and link few parameters on the modwheel to fake accent ,dont remember but i think the 303 accent boost volume ,envelop modulation on the cut off and resonance. all that on the modwheel sound like lot of fun with a acid sound hehe i would try to add portamento time on top if possible and maybe try few other modulations.. |
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Colin OOOD
Moderator
Started Topics :
95
Posts :
5380
Posted : Sep 16, 2010 01:47
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On 2010-09-14 17:25, disco hooligans wrote:
Has anyone sat down and had a go at programming a real 303? Forget using your keyboard to jam notes in, its a small sequencer.
Besides the characteristic oscillator and filter sound, one of the things that make it stand out is the way you program the accents and glides of individual notes. Remember that when you're programming your next 303 line using software, and most importantly, leave the keyboard out and dial notes in, caring for the accents/glides.
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Yeah, we had one in the Stooodio until 2000 - Nigel was given it and a 606 by Kris Weston from the Orb in return for assembling an old Helios mixer. There's nothing like it in terms of its sequencer, fiddly little bastard, unpredictable at times and a pain in the ass until you've got to grips with it. Heaven help you if the contacts on the buttons on your 303 are a bit dirty.
If you want to learn how to make convincing 303 lines I really recommend spending a weekend on Phoscyon or ABL, using nothing but the internal sequencer. Get to know how accents sound on notes with and without glide, how the glide sounds going to notes in different octaves and how the accent knob affects things. Try making patterns 16, 8, 6 and 3 steps long. Try both programming something you already have in mind, and just bashing the buttons and seeing what comes out.
If you then want to program convincing 303 lines on Phoscyon or ABL as MIDI parts in your DAW, first read and understand this page: http://www.firstpr.com.au/rwi/dfish/303-slide.html - it details the timing of note on/off and the slide function. For instance, in Cubase, an un-tied 16th note on a 303 should be 70 ticks long out of 120.
When you program your 303 line in your DAW's sequencer, you may find that getting a convincing slide is difficult. Ever since Nigel modded his 303 to accept CV/Gate signals, and we started using an external sequencer for our 303 riffs, I've found that a legato glissando between notes works very well as a controllable way of making slides; you may find other ways that work better for you but this is somewhere you could start.
Mastering - http://mastering.OOOD.net :: www.is.gd/mastering
OOOD 5th album 'You Think You Are' - www.is.gd/tobuyoood :: www.OOOD.net
www.facebook.com/OOOD.music :: www.soundcloud.com/oood
Contact for bookings/mastering - colin@oood.net |
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decoder
Started Topics :
3
Posts :
75
Posted : Sep 16, 2010 04:34
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Insomniscene
Started Topics :
9
Posts :
57
Posted : Sep 17, 2010 13:14
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On 2010-09-14 16:38, marcz wrote:
Quote:
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On 2010-09-14 15:28, Insomniscene wrote:
Been looking for a thread/page like this for ages (I'm new here, by the way)...
What do you find the best automation for a 303 sound is? I'm working on a track currently and want it 303 heavy, but the automation I've tried so far isn't quite what I want, it doesn't hold interest and gets tedious very quickly...I'm using a tweaked preset on the Sylenth.
Any advice is appreciated!
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filter cutoff and.. resonance perhaps? maybe a liiiittle pitch mod on one of the lfo's along with the automation on the rate or gain.
pretty basic but takes away that static feeling
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This is what I tried, maybe I've just not fiddled enough :/
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