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Reverb tail question
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jekvan
IsraTrance Full Member
Started Topics :
70
Posts :
406
Posted : Mar 22, 2012 23:55:43
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Doing this track and all that.So I have this pad,and I want to give it space and also long decay feeling.Using Ableton reverb plug,all I get (increasing reverb decay time) is this white noise length,and not really something that resembles the timbre of the sound itself.
What I miss?I want reverb tail which sound is if the sound itself decays slowly,not as some white noise tail...
  From all the things I lost,that sandwitch cost me most :)
http://soundcloud.com/jekvan |
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Kolishin Methud
Started Topics :
5
Posts :
266
Posted : Mar 23, 2012 00:18
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hmmm try to adjust the high pass settings on the unit, and turn the quality on high, and turn the chorus function off. see if that helps??
http://soundcloud.com/brentmalik |
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orgytime
IsraTrance Full Member
Started Topics :
120
Posts :
1703
Posted : Mar 23, 2012 12:12
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are you sure youre meaning decay?
i dont know the sample, but you also can try a compressor with fast attack and slower release (maybe also on the reverb).
also try what kolishin said. (if the reverb has no HP filter, use it as send FX and put a EQ after it)
if you have the pad in midi, simply play with adsr, or load it in a sampler play with adsr, or do it manually with the wave. this is just the solution for a longer tail, but not for the room.
cheers
www.soundcloud.com/orgytime |
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Equilizyme
IsraTrance Junior Member
Started Topics :
19
Posts :
593
Posted : Mar 23, 2012 21:42
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you gotta play with the "diffusion network" filter:
adjust the low pass filter and you can remove some of the high freq white noise type of thing. I do the same to get lower timbres in the reverb. If you carefully adjust it you can get what you want. This can also be done with a eq after it like orgytime said, tis the same thing i think... --
http://soundcloud.com/equilizyme
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Kryten
IsraTrance Junior Member
Started Topics :
11
Posts :
333
Posted : Mar 24, 2012 22:05
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Its just the Ableton Reverb I fear...after a while I got annoyed by it too cause it mostly sounds just like noise.
I tried some other reverb plugins now and am more satisfied.
My first track:
http://soundcloud.com/kryten/ |
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jekvan
IsraTrance Full Member
Started Topics :
70
Posts :
406
Posted : Mar 24, 2012 23:25
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Hmm,I tried with the low pass,but anyway it sounds like poo...Maybe its me but Ableton reverb ain't that good.
Well,got tons of other reverbs,now its time to learn them I guess.
From all the things I lost,that sandwitch cost me most :)
http://soundcloud.com/jekvan |
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bandarlog
Bandarlog
Started Topics :
44
Posts :
809
Posted : Mar 25, 2012 00:22
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willsanquil
IsraTrance Full Member
Started Topics :
93
Posts :
2822
Posted : Mar 25, 2012 00:42
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the ableton verb is very quick and useful and I still use it for some things as I know all the parameters and what they do...but for long sweet reverb tails yeah its just...not as good as third party options.
I may not know what 75% of the lexicon reverb parameters do, but I do know it sounds fucking glorious.
If you want to make an apple pie from scratch...you must first invent the universe
www.soundcloud.com/tasp
www.soundcloud.com/kinematic-records |
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A.Rosengren
Solid Snake
Started Topics :
266
Posts :
4139
Posted : Mar 25, 2012 05:25
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Look no further if you want a huge super hall/plate.
http://www.audiodamage.com/effects/product.php?pid=AD023
Quote:
| Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.
Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution 'verbs. Quite simply, an impulse response can not do what Eos does. |
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Kryten
IsraTrance Junior Member
Started Topics :
11
Posts :
333
Posted : Mar 25, 2012 15:00
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L66
IsraTrance Junior Member
Started Topics :
16
Posts :
202
Posted : Apr 3, 2012 06:22
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If you want your pad to have space adjust the Pre delay up to taste this gives space to the pad and pushes it further in the background where a pad belongs, the more high freq you have the more forward in the mix it will appear. Play with the rest of the parameters on the plug and find what sound you are after then automate those parameters when needed or use a different plug as suggested if you can't get what you are after.
http://soundcloud.com/multiv3rse |
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