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Trance Forum » » Forum  The Workshop - [progressive] unique or just senseless
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[progressive] unique or just senseless

killik
IsraTrance Junior Member

Started Topics :  29
Posts :  186
Posted : Mar 17, 2012 17:24:31
well heres a track that was planned to be progressive psy but it turned out somehow different. some changes might come but nothing big.

im not sure if the whole track even makes sense. i mean do those parts even fit together? its full of melodys all over the place and i lost all objectivity.
but it was much fun to do it, thats what i know.




          :O!
http://soundcloud.com/killik
klippel
Stereofeld

Started Topics :  91
Posts :  1153
Posted : Mar 19, 2012 08:31
i dunno why nobody posts comments on this. massive work imho!
it is definitely borderline overly cheesy for my taste but its top notch melodic trance with nice build up and harmonic work!!

would love to hear the final version sometime mate           http://www.ektoplazm.com/free-music/stereofeld-frequenzwechsel
"I've always been a believer in musical repetition to draw in the listener and make the music hypnotic. Another thing I believe in is repetition." Alan Parsons
aje
IsraTrance Full Member

Started Topics :  99
Posts :  1145
Posted : Mar 19, 2012 11:10
Yeah, this ones cool And definitely not senseless. I dont like the sound of that arpeggio starting at 0:55, but thats just taste. And the breakdown is pretty epic, hahahaha, with the KBBB starting afterwards. Finish it!           Check out my album: http://www.ektoplazm.com/free-music/gay-satanic-hippie-tiefenrausch
makus
Overdream

Started Topics :  82
Posts :  3087
Posted : Mar 19, 2012 11:16
nice late morning sounds, man, finish it. in the end there should be nice climax with beautiful melodies           
www.overdreamstudio.com
Sound Surgeon
Crater / Mish-kah

Started Topics :  250
Posts :  2244
Posted : Mar 19, 2012 23:26
Senseless is the opposite of this track!

I really have no comments. Just want to hear the final product!
Icaro
IsraTrance Junior Member
Started Topics :  10
Posts :  69
Posted : Mar 20, 2012 00:23
I'm listening on yamaha hs80's in a treated room, and the bass sounds a tad bit too uncontrolled. Overall, I really love this track. I'd say work on the bass to make sure nothing's bleeding into the other frequencies, and like Makus said, bring a bit more climax at the end.

Thing about the bass, is that I can hear a little bit of the 'one bass note' effect coming in. That is, it's a bit heavy, and you get that waaah waaah bleed from the bass a bit. You obviously want to have a good, and loud bass sound fitting in the mix, but you want to make sure it's controlled.

The track sounds great though, nothing 'senseless' about it.
killik
IsraTrance Junior Member

Started Topics :  29
Posts :  186
Posted : Mar 22, 2012 14:44
thanks for the comments, means much to me.

pretty busy at the moment but i will finish it definitely.

Icaro, with one bass note effect you mean that the bass notes arent far enough away from each other and kinda melt together?           :O!
http://soundcloud.com/killik
Oni Katsu
Li/fe

Started Topics :  101
Posts :  704
Posted : Mar 22, 2012 15:50
I WANNA MAKE BABIES WITH YOU

I mean, good sir, would you like to collaborate?            http://soundcloud.com/li-fe

I said I like it dirty, not muddy.
killik
IsraTrance Junior Member

Started Topics :  29
Posts :  186
Posted : Mar 22, 2012 22:33
haha, ok lets make babies!

of course we can collaborate sometime.
give me a pm

          :O!
http://soundcloud.com/killik
jekvan
IsraTrance Full Member

Started Topics :  70
Posts :  406
Posted : Mar 22, 2012 23:52
Good stuff man,good stuff,nothing that hasn't been said.           From all the things I lost,that sandwitch cost me most :)


http://soundcloud.com/jekvan
Icaro
IsraTrance Junior Member
Started Topics :  10
Posts :  69
Posted : Mar 23, 2012 13:30
@Killik - No, nothing related to the note length. I mean the sonic quality of the sound itself. Better to make everything as clean as possible in the mix. I found a clip on youtube that shows exactly what I'm talking about. The example he uses is much more of a dramatic issue, than in your song. However, when your bassline changes at a little before 1.30 into it, it becomes noticeable.








Using the same eq technique on your bass ch, at the mixing stage, can help the bass to be as clear as possible. You just don't want to overdue these sorts of things either, because as I said before, you don't want to lose the power of the bass.


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