Author
|
Pitch Change Fx
|
tjaal
IsraTrance Junior Member
Started Topics :
23
Posts :
113
Posted : Nov 10, 2008 22:48:18
|
Is there any pitch change fx/vst that goes increasing the effect with the time, without automating it?
i mean, i have some vst for pitch but in all you have to automate the increase
or if there is any other kind of vst that has these psychedelic fx increase, like a voice becoming more and more alien, or slowly morphing somehow
thnx
|
|
|
Kane
IsraTrance Junior Member
Started Topics :
23
Posts :
1772
Posted : Nov 11, 2008 01:31
|
Why can't you just automate it?
Simplest way other than automation for me would be a custom Reaktor patch..would be very easy if you have any experience with it..
  You believe in the users?
Yeah, sure. If I don't have a user, then who wrote me? |
|
|
smehoparanoya
IsraTrance Junior Member
Started Topics :
11
Posts :
280
Posted : Nov 11, 2008 03:13
|
maybe a sampler lfo with low rate and saw/ramp whatever the heck it's called wave
  Monitoring devices, know where you go
Mass media, total control
Digital delight, desire in megabite
Data overflow, virtual suicide
This information, is disinformation
Truth is hidden, knowledge forbidden |
|
|
Medea
Aedem/Medea
Started Topics :
127
Posts :
1132
Posted : Nov 11, 2008 10:53
|
to make "voice becoming more and more alien" you can put a dBlue Glitch on it, choose "stretcher" and automate the mix level of Glitch.
  http://soundcloud.com/aedem |
|
|
Nerdkiller
Started Topics :
2
Posts :
71
Posted : Nov 11, 2008 16:11
|
i think rising the pitch won't actually make it alien like but thinner and squeeky.
what do you mean by voice? is it an audio sample of a human voice or just the voice of the synth?
If you are using an audio sample then maybe u should just automate it. you can do that my automating the transpose of that audio.
but if ur doing it on a synth i still recommend you to automate it.
on sytrus i would just set an envelope on pitch and make the attack real long.
  Jesus loves you...
But the rest of us think you're a tranny. |
|
|