after some dedicated listening i can discern which melody is playing in which channel, but it takes lots of effort and once you get the least bit distracted you're back to where you started.
Djones
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Posted : Dec 24, 2012 15:48
after some dedicated listening i can discern which melody is playing in which channel, but it takes lots of effort and once you get the least bit distracted you're back to where you started.
I don't get it, nothing unusual seems to happen.
TimeTraveller
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Posted : Dec 24, 2012 16:02
how you make sheppard tone? ..nothing new but caught my interest wanna do this. The pic in wikipedia sucks..the explanation is nice but not enough imo.. so , do the notes overlap each other? How many ocataves must be use.How exactly.Cheers
https://soundcloud.com/shivagarden
snowdogg
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Posted : Dec 24, 2012 16:51
Quote:
On 2012-12-24 16:02, TimeTraveller wrote:
how you make sheppard tone? ..nothing new but caught my interest wanna do this. The pic in wikipedia sucks..the explanation is nice but not enough imo.. so , do the notes overlap each other? How many ocataves must be use.How exactly.Cheers
nice vid with a bit of hsitory too:
snowdogg
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Posted : Dec 24, 2012 16:52
Padmapani
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Posted : Dec 24, 2012 17:39
after some dedicated listening i can discern which melody is playing in which channel, but it takes lots of effort and once you get the least bit distracted you're back to where you started.
I don't get it, nothing unusual seems to happen.
listen to the audio example with headphones. they first play a melody in the right channel, then one in the left channel, and then both together. then your perception of the melody is fucked up and you seem to hear notes panned hard to the left in your right ear and the other way round.
TimeTraveller
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Posted : Dec 24, 2012 18:22
thanks! So far it seems like in Logic -glide- will be needed and the whole octaves via notes in tha pianoroll.Maybe EXS 24 - sine sample as source with pitcher automated but however, one good argument for ableton.
Logic pitchers dont let me automate the pitch linearly without hearing the switching steps.
Need to find another way.. Here is a score for E should work somehow.
Interesting that Pink Floyd used this technique.
