sp0ok
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Posted : Jul 8, 2009 06:43
Quote:
On 2009-07-08 00:08, ouroboros wrote:
whats tat weird fade out-fade in wit the sample...
n why does it sound like a remix of deeply disturbed??
n if it is a rmx of deeply disturbed...cud someone tell me the trk details?? plz
it is a remix of deeply disturbed. I hadn't heard this one before too.. but that lead from 00:43 to 1:28 just sounds so good.
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Freeflow
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Posted : Jul 8, 2009 16:35
Quote:
On 2009-07-06 20:47, becktrank wrote:
Quote:
On 2009-07-06 20:41, Obelizk wrote:
To mix things up.
You can use phrasing like, 4 bars of 7/4 which add up to 28, which is the same as using 7 bars of 4. It will change your melodic structure there and make for some very interesting riffs that people won't be able to completely anticipate, but will stay within the structure of the 4/4 song.
After those 4 bars of 7/4 you can go back to writing melody in 4/4 and it will sound almost like a time resolution.
i dont get totally, 7/4 makes me confused
hey, if i m righting a track in one key, is it ok to it to have some riffs in other keys?
Yeah of course...
check my myspace, the melodies in "sweety" are different... and i think it works though its still just a baby and im thinking how to make a arrangement out of it... but the answer is yes you can find melodies that fits echother in different keys...
ouroboros
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Posted : Jul 8, 2009 21:29
the actual remix trk..minus the stupid 300 sample
the part played in the 300 version starts at 4:30 in this original one....
killerrrr rmx n full track
bOoM http://www.myspace.com/musicouroboros
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daark
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Posted : Jul 8, 2009 22:31
Axis Mundi
Axis Mundi
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Posted : Jul 9, 2009 10:41
I agree with daark.
Arps are a great tool for sure. People can be lazy with them like many other features but that's not the arp's fault. Especially if you're making your own arps to use.
On 2009-07-06 20:41, Obelizk wrote:
To mix things up.
You can use phrasing like, 4 bars of 7/4 which add up to 28, which is the same as using 7 bars of 4. It will change your melodic structure there and make for some very interesting riffs that people won't be able to completely anticipate, but will stay within the structure of the 4/4 song.
After those 4 bars of 7/4 you can go back to writing melody in 4/4 and it will sound almost like a time resolution.
that's a very cool idea! like a polyrhythm.
PsYmOrPh
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Posted : Jul 9, 2009 14:26
yes sure, but i think the best arp it's in piano roll, u can change the length of notes....arp is good to live, depend of the arp, recently i discovered the predator arp, and now i prefer to use that arp instead of piano roll...but there are many arp that sucks, too limited...
Becktrank
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Posted : Jul 9, 2009 19:01
have u ever tried the arp from PoiZone?
I have the demo at fruitys, very psy synth
``We shall not cease from exploration - And the end of all our exploring - Will be to arrive where we started - And know the place for the first time.``
bahia
Chemogen
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Posted : Jul 9, 2009 19:20
Wondering about using note lengths at 1/4 and 1/2 for leads. It brings a more anthem sound to my melodies, but tends to slow the pace down. Should I just stick to 8ths and 16ths notes?
daark
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Posted : Jul 9, 2009 19:26
Becktrank
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Posted : Jul 9, 2009 19:28
can anyone post a picture of a pattern with 7/4? i m or some examples of articulation? will be much appreciated
``We shall not cease from exploration - And the end of all our exploring - Will be to arrive where we started - And know the place for the first time.``
