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leads ( hi pass)
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Saii
IsraTrance Full Member
Started Topics :
83
Posts :
318
Posted : Aug 10, 2009 23:41:05
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i no there is a million threads about this
but i want a straight answer from any one who thinks they are a pro at this 
i want to know if i have a rolling bassline lets say with the harmonics of A (440, 220, 110, 55, etc...)
where would i hi pass my leads at so it doesn't interfere with my bassline at all and they both sound separate but at the same time sound together (you know what i mean
cheers
  saii.rave.ca |
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Zoopy
IsraTrance Junior Member
Started Topics :
44
Posts :
538
Posted : Aug 11, 2009 00:28
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I know this probably isn't the answer you want to hear but...use your ears 
equalization should become an instinct, in my opinion. |
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realtime
Started Topics :
5
Posts :
350
Posted : Aug 11, 2009 01:12
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maybe not just a highpass - but highpass on lead and lowpass on bassline.
the required settings may vary, depending on the material used and how you combine them.
just try to keep them sitting on each other and don't filter a hole into the freq-band.
ps: spectrum analysis can visualize that http://www.myspace.com/realtimeproject |
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Saii
IsraTrance Full Member
Started Topics :
83
Posts :
318
Posted : Aug 11, 2009 01:16
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ok cool i understand...train my ears. im in the process
thanks anyways
saii.rave.ca |
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0hz
IsraTrance Junior Member
Started Topics :
10
Posts :
261
Posted : Aug 11, 2009 01:58
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the pros, try not to use hipass but low shelf instead, unless the sound has to much sub freq then a hipass is used to roll off only the sub freq and low shelf the rest.
also eqing the low freq is a tricky thing , specially if your studio has a problem with low freq. |
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Saii
IsraTrance Full Member
Started Topics :
83
Posts :
318
Posted : Aug 11, 2009 02:17
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@ 0 HZ
my studio has a lot of problems with low freq.
i move my head 2 inches to the left of the monitors and i have a different sounding bassline
how the hell do i fix that without spendin thousands
let me know
thanks
saii.rave.ca |
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dj chichke
Chichke
Started Topics :
83
Posts :
705
Posted : Aug 11, 2009 02:40
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i'm not pro but i do high pass at 200-250hz to the lead. the bassline doesn't suppose to reach that frequencies |
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Larrikin
IsraTrance Junior Member
Started Topics :
44
Posts :
367
Posted : Aug 11, 2009 09:24
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frambonas
IsraTrance Junior Member
Started Topics :
14
Posts :
166
Posted : Aug 11, 2009 11:25
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Quote:
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On 2009-08-11 01:58, 0hz wrote:
the pros, try not to use hipass but low shelf instead, unless the sound has to much sub freq then a hipass is used to roll off only the sub freq and low shelf the rest.
also eqing the low freq is a tricky thing , specially if your studio has a problem with low freq.
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You should really high pass and not shelf if it is for synths. the frequency range is so big with synths you have to cut.
But always try as much as possible low.
Put your hp filter as low as possible (between 100 untill 250)
It depends from sound to sound offcourse.
The shelf is something that is a lot used with recordings. |
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realtime
Started Topics :
5
Posts :
350
Posted : Aug 11, 2009 12:55
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Quote:
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On 2009-08-11 11:25, frambonas wrote:
It depends from sound to sound offcourse. |
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auto mate filter cut off ...
so you can open/close the lead's filter according to the rest. http://www.myspace.com/realtimeproject |
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0hz
IsraTrance Junior Member
Started Topics :
10
Posts :
261
Posted : Aug 11, 2009 23:41
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well whatever you do, LP or Shelf , if your room has a problem with the low freq it would be hard for you to make a correct decision regarding how much you should cut, it will always be more of a guess... sure you can become really good at guessing by referencing pro tracks and learning to work with spectrum analyzers with combination of HQ studio headphones...but still the whole process wont be effortless and always leave you guessing. in the end anyone who's really serious about becoming a pro ends up treating the room and upgrading to good monitors. what im trying to say is if your room is bad then no one can tell you how much and when to cut low freq....its all on you to learn your room and speakers by referencing pro tracks and comparing to your own, but there is a trick in that too. i would suggest to borrow a measurement mic and check out your freq response, you might learn alot about your room and your mixes.
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Saii
IsraTrance Full Member
Started Topics :
83
Posts :
318
Posted : Aug 12, 2009 02:19
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0HZ
is there a website that tells me step by step istructions on how to eliminate the frequency problems in my room
i need to know how to know what is wrong exactly and how to fix that specific frequency band. all im sure about is that bass treatment is not the same for mid treatment and not the same also for highs treatment
please refer me in the right direction. anyone?
saii.rave.ca |
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Elad
Tsabeat/Sattel Battle
Started Topics :
158
Posts :
5306
Posted : Aug 12, 2009 10:53
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the dilema: too high will be thin like anorectic model , and not doing this will make very dirty mix and might eliminate the bassline while mastering.
my view:
all according to the sample , as usual..
some leads i wouldnt dream to cut anywhere higher then 150hz and some easy over 250hz..
depend on the source... as well what you try to make out of it.. baisibly start at 70hz and climb up until the sound lose something important and going back abit and thats it... ears only.. but i have acoustic room (sort of) and nice speakers.. the acoustics is really not too expensive for the $ Q...
p/s some nice notch down for the bass can really five more space to the leads etc. try it out..
www.sattelbattle.com
http://yoavweinberg.weebly.com/ |
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Alien Bug
IsraTrance Junior Member
Started Topics :
27
Posts :
682
Posted : Aug 12, 2009 14:43
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Saii
IsraTrance Full Member
Started Topics :
83
Posts :
318
Posted : Aug 13, 2009 05:36
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thanks alienbug
that was helpful
it kind of open my eyes a bit
im guessing the cut at 32 hz is a sharp cut down using 24 db or even 48 db right?
thanks man!
bash
saii.rave.ca |
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