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Trance Forum » » Forum  Production & Music Making - Innovative sounds & recording methods
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Innovative sounds & recording methods

auralserenity


Started Topics :  4
Posts :  63
Posted : Jan 21, 2010 19:46:19
Few innovative sounds that I've recorded

1. I bought an (ab)used and damaged midi synth. It gives me some very weird noises to record and edit. Its very unpredictable.

2. It had only been few minutes since a massive rain, ambiance was still wet, I carried a hand held sound recorder(Roland) and sat on a wet highway sidewalk, late at night, and I got some beautiful effects of cars whooshing by.

3. Hit the basketball on the solid tiled ground - record it - do the required filter tweaking and get a unique analog kick(Can try other balls and other flooring for better aural response).

4. I once stood on a rail bridge and recorded the passing train(I was dangerously close to the train, hence I'll not recommend this). Anyhow, I ended up not using it anywhere. It wasnt that good.

5. Place a table fan(run it on slow speed)between source of sound(Voice is recommended) and mic(Large diaphragm mic), get a very interesting stutter.

6. Try speaking anything and record it(Can, actually, take any voice. But it must be spoken one, not a sung one.) - take another track of synth melody - place sidechain compressor over synth melody - define vocal recording as the source for the sidechaining - put some subtle(Very subtle) automation on synth filter cutoff - keep resonance low(Not very low) - set the gain accordingly - and finally let the voice modulate synth sound - synth will start trying to say something. Loud and clear vocals will help.

7. Deep Fry something on the pan - and record the noise - get a nice warm sound effect of rain - pass the recording through some effects like reverb(But very subtle. I repeat, very subtle).

Note:- Let the reverb always be a mushy Utopian gadget for 'Enya' like aliens. Less of it is better, but remember less doesnt mean inaudible.

8. Light a match - record it upclose - trim the middle portion of the sample - shape it into a sustain loop - put no effect at all - no compressor even - although, can use filter to take care of few anomalies like background hiss or any click or glitch - turn the level absolutely down - try mixing this sustain loop into any track or song by bringing up the level - raise the level very carefully so that loop is barely audible - and soon fade back in - and continue fiddling level whenever feel required.

9. I once recorded my fart. Never used it though.

10. And snores.

~How about you?
auralserenity


Started Topics :  4
Posts :  63
Posted : Jan 21, 2010 19:54
Guys I found this while googling--

http://www.pinoyexchange.com/forums/showthread.php?t=314644,

Its very interesting but some of them are sincerely mistaken there. For instance
'bananaboy' who said
"Jim Morrison of The Doors recorded the vocals on one of their songs (I forgot which) while a girl was, um, performing fellatio on him."

Now that is wrong. that incident occurred in elevator and Pamela (Jim's chick) happen to see all that. No recording of sound or visual was getting done.

What a preposterous myth!
TimeTraveller
IsraTrance Full Member

Started Topics :  80
Posts :  3207
Posted : Jan 23, 2010 18:42
^ as far as I've read both stories are truth.That stands somewhere in some good book.
I like the film still a good cinematic autobigraphic piece .           https://soundcloud.com/shivagarden
Colin OOOD
Moderator

Started Topics :  95
Posts :  5380
Posted : Jan 24, 2010 14:41
Take 1 plastic frisbee and one glass tabletop... spin the frisbee on the tabletop and record it spinning down.

You can hear this on youtube, it's the intro to our track Silence.           Mastering - http://mastering.OOOD.net :: www.is.gd/mastering
OOOD 5th album 'You Think You Are' - www.is.gd/tobuyoood :: www.OOOD.net
www.facebook.com/OOOD.music :: www.soundcloud.com/oood
Contact for bookings/mastering - colin@oood.net
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