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Infected Mushroom interview reveals production/mixing tips
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Halley
Started Topics :
8
Posts :
8
Posted : Dec 3, 2009 15:39:07
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PoM
IsraTrance Full Member
Started Topics :
162
Posts :
8087
Posted : Dec 3, 2009 15:59
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nice interview man, he say he don t like compression , i remember their tracks sounding flat (flat like most tracks released but not less) |
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TimeTraveller
IsraTrance Full Member
Started Topics :
80
Posts :
3207
Posted : Dec 3, 2009 21:47
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Very interesting to me.Their equipment looks tastey,especially the nice avalon comp looks like a superfly hot chick would like to know her better.And nice tricks ,lots of interesting details.
Cheers
 https://soundcloud.com/shivagarden |
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Obelizk
Amoeba
Started Topics :
115
Posts :
836
Posted : Dec 3, 2009 22:49
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dj chichke
Chichke
Started Topics :
83
Posts :
705
Posted : Dec 3, 2009 22:57
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Quote:
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On 2009-12-03 22:49, Obelizk wrote:
Hey could someone explain that stereo effect method that he was talking about? - record 8 bars, then split them to 4 and 4, one left and one right, then what?
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Put them one on another
i didn't understand what to record... |
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aciduss
IsraTrance Full Member
Started Topics :
112
Posts :
1490
Posted : Dec 3, 2009 23:20
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Easy... just record your synth play twice as you want that part to last... then use scissors and slice that in half, then put each in diff channels, pan each channel hard L / R respectively tweak a little each channel's settings and there you have... instant stereo variation.
It is really more usable when recording a played instrument... with vst synths you would have to actually play it or just use different midi for each of the channels so they contain significant variation. Or you could add more modulation stuff on the audio track too... just go stereo wild with your creativity.
Watch Andi Vax Mixing Secrets this i remember a part where he explains this stuff.
cheers |
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dj chichke
Chichke
Started Topics :
83
Posts :
705
Posted : Dec 3, 2009 23:51
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Quote:
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On 2009-12-03 23:20, aciduss wrote:
Easy... just record your synth play twice as you want that part to last... then use scissors and slice that in half, then put each in diff channels, pan each channel hard L / R respectively tweak a little each channel's settings and there you have... instant stereo variation.
It is really more usable when recording a played instrument... with vst synths you would have to actually play it or just use different midi for each of the channels so they contain significant variation. Or you could add more modulation stuff on the audio track too... just go stereo wild with your creativity.
Watch Andi Vax Mixing Secrets this i remember a part where he explains this stuff.
cheers
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i think i can just take some slices from each side a bit forward or backward and like that to give it more live filling. but it's more work than play live instrument and just cut it to two slices.. |
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Freeflow
IsraTrance Full Member
Started Topics :
60
Posts :
3709
Posted : Dec 4, 2009 03:19
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Nice interview!
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mquirk1
IsraTrance Full Member
Started Topics :
63
Posts :
384
Posted : Dec 4, 2009 04:59
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Quote:
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On 2009-12-03 23:51, dj chichke wrote:
Quote:
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On 2009-12-03 23:20, aciduss wrote:
Easy... just record your synth play twice as you want that part to last... then use scissors and slice that in half, then put each in diff channels, pan each channel hard L / R respectively tweak a little each channel's settings and there you have... instant stereo variation.
It is really more usable when recording a played instrument... with vst synths you would have to actually play it or just use different midi for each of the channels so they contain significant variation. Or you could add more modulation stuff on the audio track too... just go stereo wild with your creativity.
Watch Andi Vax Mixing Secrets this i remember a part where he explains this stuff.
cheers
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i think i can just take some slices from each side a bit forward or backward and like that to give it more live filling. but it's more work than play live instrument and just cut it to two slices..
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what erez explains is classic double tracking. but as mentioned it only works when you play the instrument live, or the synth patch has parameters that change slightly over a long period of time. if it'e exactly the same timing and sound doubling it will just make it mono.
what you described, moving the slices back and forwards, sounds ok in stereo but as soon as it goes mono all these weird ass phasing effects show up. hence why that technique is not used very often in pro recordings.. |
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Halley
Started Topics :
8
Posts :
8
Posted : Dec 4, 2009 08:59
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Hi guys!
Glad you liked. We had a great time doing the interview, Erez is very open about things and very laid back.
Anybody here going to be at the Jerusalem show? |
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dj chichke
Chichke
Started Topics :
83
Posts :
705
Posted : Dec 4, 2009 12:05
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Quote:
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On 2009-12-04 08:59, Halley wrote:
Hi guys!
Glad you liked. We had a great time doing the interview, Erez is very open about things and very laid back.
Anybody here going to be at the Jerusalem show?
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what is the jerusalem show? |
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dj chichke
Chichke
Started Topics :
83
Posts :
705
Posted : Dec 4, 2009 12:07
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Quote:
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On 2009-12-04 04:59, mquirk1 wrote:
Quote:
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On 2009-12-03 23:51, dj chichke wrote:
Quote:
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On 2009-12-03 23:20, aciduss wrote:
Easy... just record your synth play twice as you want that part to last... then use scissors and slice that in half, then put each in diff channels, pan each channel hard L / R respectively tweak a little each channel's settings and there you have... instant stereo variation.
It is really more usable when recording a played instrument... with vst synths you would have to actually play it or just use different midi for each of the channels so they contain significant variation. Or you could add more modulation stuff on the audio track too... just go stereo wild with your creativity.
Watch Andi Vax Mixing Secrets this i remember a part where he explains this stuff.
cheers
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i think i can just take some slices from each side a bit forward or backward and like that to give it more live filling. but it's more work than play live instrument and just cut it to two slices..
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what erez explains is classic double tracking. but as mentioned it only works when you play the instrument live, or the synth patch has parameters that change slightly over a long period of time. if it'e exactly the same timing and sound doubling it will just make it mono.
what you described, moving the slices back and forwards, sounds ok in stereo but as soon as it goes mono all these weird ass phasing effects show up. hence why that technique is not used very often in pro recordings..
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so why don't to leave it stereo? |
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Halley
Started Topics :
8
Posts :
8
Posted : Dec 4, 2009 12:21
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Quote:
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On 2009-12-04 12:05, dj chichke wrote:
Quote:
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On 2009-12-04 08:59, Halley wrote:
Hi guys!
Glad you liked. We had a great time doing the interview, Erez is very open about things and very laid back.
Anybody here going to be at the Jerusalem show?
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what is the jerusalem show?
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Sorry- at the Infected show in Jerusalem on Dec 17.... |
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Wizack Twizack
Wizack Twizack
Started Topics :
239
Posts :
3486
Posted : Dec 4, 2009 18:02
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Uedi
IsraTrance Junior Member
Started Topics :
10
Posts :
288
Posted : Dec 4, 2009 18:07
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Infected have a clean strong sound!
Good studio, good gear, good monitors, good mics... good ears! 
That's make all the difference. |
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makes my buy even more comfortable hehe