kylistar
IsraTrance Junior Member
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Posted : May 18, 2011 09:47
actually thats what i thought
Dont like the lfos in vanguard though... they are weird...guess i have to look closer into them..
Thanks for the help as always!
aciduss
IsraTrance Full Member
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Posted : May 18, 2011 22:22
In fact in Vanguard you wouldn't use the LFO for this since Vang's lfos detune is only a whole tone i believe... you need a much higher pitch bend value.
In vanguard it is easy to achieve this sounds using the second envelope and the PITCH knob
orgytime
IsraTrance Full Member
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Posted : May 18, 2011 22:35
just to make things clear.
you dont need to pitch bend, you also can sweep through frequencies with the cutoff point and set the resonance as you like it, for this the LFO of vanguard works well.
and dont forget, you are in the wrong section,
there is a BIG thread, and there you would find exactly the same questions.
and when ur totaly smart you even can find the vanguard soundbank in this thread with a preset for such sounds www.soundcloud.com/orgytime
aciduss
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Posted : May 18, 2011 23:59
High res cutoff sweep does the trick but pitch bending sounds just more squelchy acid dripping through your spine..
Actually to combine filter sweeping + pitch shifting is the key to proper cosmic farting.
kylistar
IsraTrance Junior Member
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Posted : May 19, 2011 10:18
seems the best way is to do really detailed automation instead of LFO's ?
Think im starting to get the grip of it now
Padmapani
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Posted : May 19, 2011 15:03
automation? too much work. the easiest ways is with (seperate) envelopes for pitch and cutoff.
aciduss
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Posted : May 19, 2011 16:58
Envelopes work as an internal automation, it is called "modulation". So if you set up correctly your ADSR stages you can get squelchy squeals to your taste... every millisecond counts
LFOs are another way to modulate your signal and they do the trick too... but other synths are way better than vanguard at this task. Play with LFO waveform, rate, range, random or s&h and stuff.
