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Posted : May 4, 2011 15:35:20
Hi Guys I´m wondering how to make this synth sounds like Azax Syndrom, Absolum, this acid synth sounds are very present in full on night or full power sounds ,listen to this track at 2.00m how to make that kind of sounds?
Cheers!
zabot
IsraTrance Junior Member
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Posted : May 4, 2011 17:00
this sound again??? hehe
get albino ....
osc 1 saw
osc 2 saw lower octave
lfo - cut off
lfo - simmetry
glide notes....
some distortion.
bounce cut etc....
or you have other option ....
Hit a Cat with a stick!!!! hehehe
im playing whit you...
now seriously good luck cheers
thoughts become things
davinski
IsraTrance Junior Member
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Posted : May 4, 2011 22:25
hello,
i think it's a preset from the korg legacy synth. will look up the patch name for you.
it's in the factory patches,the second or third colum.
greetingz
PoM
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Posted : May 4, 2011 22:57
using these sounds is like shooting a bullet in your own foot try modulating the pitch of a supersaw with a envelop, a synths with flexible envelops will make it easier by controlling the curve but it s not a must...high pass /band bass filter modulation.
zebra easy with the eleven detuned voice oscillator setting and mseg envelop on the pitch (with correct snap setting to get right tune) + 1 or 2 xml filter in serie with some overload and maybe a shaper.
i made some leads like this by just pressing one key on the keyboard using the xml envelop like a step sequenceur/arpegiator to do all the melodie so you can use slower curve on longuer note and stuff like this , to make leads more intresting, it s exaclty like making dnb bassline using massive and the performer except in this case the modulation go to the pitch (and the filters if you want)
Talent Unknown
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Posted : May 5, 2011 02:35
I´m using albino 3 with init preset, i´ve made it close but with too much distortion and for me sounds bad.
Anyone with "correct" levels of each thing?
Or a tutorial?
Thanks Guys!
aciduss
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Posted : May 5, 2011 04:47
It will take you a while if your synthesis skills are few... you have to train ear and brain to use synths and get this timbres. Once you get there they are easy, it's a mix of the right envelopes, filter settings and lfo ammount / rate. Also note lenght and positioning and legato / glide settings.
But if you want to walk first have to crawl.
Also you MUST NOT molest cats in any way if you don't want hell to have you after death comes :3
PoM
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Posted : May 5, 2011 22:24
not much do to with the topic but the legato and glide made me think to a sound a mate showed me that really make everyone crazy on the floor,just by hearing that sound you know its a tune from this artist ...just give the basic you put a note one each key for few octaves ,for example C1,C#1,D1....with the note thet slighty overlap so you set the glide amount to get a kind of sirene sound ,it make the sound rise for like 32 bars depends the note legnht you use ,it s not cheesy like the sirene used in this style of full on depends the kind of lead used and it work even better to make ppl goig crazy ,cause it rise slowly and never stop... then you shorten the note that overlap to make it rise faster for the end... if you nail it ,you will probably say it s like that he made these kind of leads..
greenball
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Posted : May 5, 2011 22:32
dont encourage stuff like that, zabot, you fucking cat molester!
davinski
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Posted : May 5, 2011 22:34
Quote:
On 2011-05-05 22:24, PoM wrote:
not much do to with the topic but the legato and glide made me think to a sound a mate showed me that really make everyone crazy on the floor,just by hearing that sound you know its a tune from this artist ...just give the basic you put a note one each key for few octaves ,for example C1,C#1,D1....with the note thet slighty overlap so you set the glide amount to get a kind of sirene sound ,it make the sound rise for like 32 bars depends the note legnht you use ,it s not cheesy like the sirene used in this style of full on depends the kind of lead used and it work even better to make ppl goig crazy ,cause it rise slowly and never stop... then you shorten the note that overlap to make it rise faster for the end... if you nail it ,you will probably say it s like that he made these kind of leads..
People loves the shepperd tone ;-)
PoM
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Posted : May 5, 2011 22:40
dunno what you mean with shepperd tone but this sound is really good , it s not a cheesy sirene,it s more a lead than a fx ,it rise and never stop , when you think it gonna stop it dont it rise even more it push ppl even more cause they are not used to this.you can litterally destroy a dancefloor with this technic, the rise effect is done with legato and pitch but use a good lead of your choice,the result will depends from this.
cheers
try modulating the pitch of a supersaw with a envelop, a synths with flexible envelops will make it easier by controlling the curve but it s not a must...high pass /band bass filter modulation.
