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How many reverbs?
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Speakafreaka
IsraTrance Junior Member
Started Topics :
18
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779
Posted : Jul 23, 2011 04:20
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On 2011-07-22 17:55, Audiosonic wrote:
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the merest bollock-hair of reverb can make a huge difference on the master out |
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Phew, it's a good thing that i already shaved mine then 
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less than that. We're talking the tiny fluffy ones that the razor is too blunt to catch.
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http://www.soundcloud.com/speakafreaka |
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Upavas
Upavas
Started Topics :
150
Posts :
3315
Posted : Jul 23, 2011 04:55
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Bipolar
IsraTrance Full Member
Started Topics :
78
Posts :
490
Posted : Jul 23, 2011 10:44
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I think if you use the same Reverb in different channels , at the same time in the track, you can get what is called frequency cancellation, so I think is better to use as many reverbs you can get!. I think o.O |
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minddoctorsmakeacid
IsraTrance Full Member
Started Topics :
74
Posts :
577
Posted : Jul 23, 2011 18:42
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On 2011-07-22 16:40, kylistar wrote:
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On 2011-07-22 12:59, minddoctorsmakeacid wrote:
2 on fx(sends) channels(busses)
1 with long tail for deep in the background sounds like pads and some fx
and 1 with short tail for closer sounds winch can be applyed in the percussion
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That is pretty much how I do it. Do you have them in the same settings just different length on the tail? Or do you change size and such aswell?
I have cubase 5, so then it should be enough 
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I usually use diferent settings as well but as long as there's 1 short and one long it usually does the trick.
The thing about using more than 2 reverbs is that it creates too many spaces/dimenssions in your song, giving it a more spaced out sound and unreal feel but the thing is that some of us want that in our music so for those ones I agree on using individual reverbs but for me...I like my sound dry and punchy so less is more. http://www.MindDoctorsMakeAcid.com |
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wizanda
IsraTrance Junior Member
Started Topics :
24
Posts :
283
Posted : Jul 23, 2011 21:40
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mudpeople
IsraTrance Full Member
Started Topics :
113
Posts :
1785
Posted : Jul 24, 2011 06:50
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A downy silken hair from the sweetest scented, most lusciously alluring, male-mind-controlling cleft betwixt a sprightly young lass' upper thighs, so dainty...
Putting aside the Irish-English (i guess its my great-grandfather mclaughlin's ghost manifesting); I usually don't use much in teh way of reverb, usually to give an echoing sync-delay a bit more softness and subtones, and only slightly, USUALLY. Sometimes, though its nice to just let everything mash together in the verb-space, it sounds good for breaks and builds, 8 bars of master-channel (virtually) low-damp verb, with the size increasing so the last bar is all but lost rhythmically in reverberation... Then SILENCE.
Then, mayhem.
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Cardinals Cartel
Black Machine
Started Topics :
191
Posts :
3097
Posted : Jul 24, 2011 23:17
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I think no need to get wild with reverb , Can be cool here and there but theres an many other good/(And somtimes better) options to get this "Live/Open" feeling but using the reverb , I usualy work on sounds in the vst (So i get in there what i need for those) + Right Eq and right compressor work and u got what you need . Think over use with reverb can destroyed your sounds more then help .
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Nectarios
Martian Arts
Started Topics :
187
Posts :
5292
Posted : Jul 25, 2011 11:38
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3-4 "main" reverbs, starting from really tight/strong early reflection types to medium/long and then 2-3 "exotic" weird long algorithms where I send some one shot stuff, drones...etc and sometimes I put a couple of reversed reverbs as inserts on certain channel that I want the reversed reverb only to come in before the dry unreversed sound drops, as I can't be bothered to bounce parts and reverse, besides my Mac can handle the CPU weight just fine.
Peace out.
http://soundcloud.com/martianarts |
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Zero-Blade
Zero-Blade
Started Topics :
37
Posts :
331
Posted : Jul 25, 2011 22:29
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