aciduss
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Posted : Dec 7, 2009 00:03:21
I talk about the main leads, pitching screaming rapid bursted classic dark / hitek psy like.
0:26 for example, also 0:32 you know it is pretty common but i cannot recreate precisely. I have come closed to the result using portamento synths with hp filters but there is something missing.
Anyone wanna help?
gabmecr
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Posted : Dec 7, 2009 04:30
i think is discovery pro with fm as hell
Freeflow
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Posted : Dec 7, 2009 05:50
My vote also goes for discovery, init patch, FM-osc1-2 - osc2 pitch
Random lowpass for waveform on Lfo
rate more than half...
also sounds like more Lfo than what you get on this setting... so the trick is in the lfo..... also some chorus.....
man you have to experiment...
If you own a nordlead you can use it...
PsYmOrPh
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Posted : Dec 7, 2009 17:00
yeah discovery make it but in albino is easy
Osc1 connect Filter1 --- Octave -2
Osc 2 connect FM Mode --- Octave 1,2,3 or 4 ...
aciduss
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Posted : Dec 7, 2009 19:22
got it, thank you guys... used synth1 and worked like a charm. also works if pitchbend is automated / recorded... you can controll the sound better than with random lfo... also render and chop is madness with this sounds.
Freeflow
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Posted : Dec 7, 2009 19:29
Quote:
On 2009-12-07 19:22, aciduss wrote:
got it, thank you guys... used synth1 and worked like a charm. also works if pitchbend is automated / recorded... you can controll the sound better than with random lfo... also render and chop is madness with this sounds.
Yeah i was going to suggest synth1, but discovery sometimes sounds a little cleaner, but i do love synth1.. its been my favorite for years... so many whack sounds one can create with it... how you seen it has a oscilloscope which is way cool to look at while you tweak! hehe
aciduss
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Posted : Dec 7, 2009 21:53
I preffer synth1 over disco because of simplicity i find very hard to edit multilayer programs in discovery.
btw how do u get the oscilloscope????
MeditationProfonde
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Posted : Dec 8, 2009 00:12
Quote:
On 2009-12-07 17:00, PsYmOrPh wrote:
yeah discovery make it but in albino is easy
Osc1 connect Filter1 --- Octave -2
Osc 2 connect FM Mode --- Octave 1,2,3 or 4 ...
Sorry i'm a noob but i do what you say in albino :
Osc 1 saw oct -2 -> F1 (cream, LP)
Osc 2 saw oct + 2 -> FM F1
And i don't get that sound at all. What did i wrong ?
PsYmOrPh
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Posted : Dec 8, 2009 02:09
mistake sorry
This example is for G# notes in C1
Osc1 connect FM --- Octave -1
Osc 2 connect F1 --- Octave 2, but also try 3 or 4
in Filter1 choose Cream-HP and cutoff between 700 and 2000 for different osc2 octaves
Note: In video is made by Lfo cutoff sync, and here dont use lfo so is not same, just similar...u also can do it in albino but try learn how it works first
MeditationProfonde
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Posted : Dec 9, 2009 00:00
thank you i got it this way
MeditationProfonde
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Posted : Dec 9, 2009 14:53
When you say "osc1-2 FM" what are the waveforms that should be used ? And with discovery do you mean LFO FM on both osc or osc 1 FM osc 2 ?
PsYmOrPh
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Posted : Dec 10, 2009 01:54
in lfo way just use one oscilator, and connect lfo to the cutoff filter and set the tempo
nappler5
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Posted : Jan 4, 2010 23:41
this is a really usfull tip, thanks everyone
sp0ok
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Posted : Jan 5, 2010 10:54
