I would need you the friends, he fact a good moment when I wants to reproduce this lead with sylenth by leaving of the initial preset, but me nor arrive not!!!
Here is the lead With the delay not the nonstop lead it leaves has 0.10 segonde
orgytime
IsraTrance Full Member
Started Topics :
120
Posts :
1703
Posted : Jul 19, 2010 17:09
0. check out the mother of all leads thread...
1. find the right note to start (pitch)
2. take a saw wave
3. route LFO (16th speed) to cutoff or pitch
4. mess around with those knobs
5. if you got something similar, change the waveform for desired sound (for example square...)
it should be no problem with sylenth, vanguard is easier.
has good ......!!! looll
my translator and rotten it is for this that i is not well compris.je thought it was another way to .... llooll
anyway I always happens or not.
you are not sufficiently specific about your answer ..
its doing that a year I produce ....!
www.myspace.com/mystical-rhythms
orgytime
IsraTrance Full Member
Started Topics :
120
Posts :
1703
Posted : Jul 20, 2010 17:08
yes I would have liked if you can explain with more detail, because its one-year grant that I produced music...
www.myspace.com/mystical-rhythms
Maine Coon
IsraTrance Junior Member
Started Topics :
12
Posts :
1659
Posted : Jul 20, 2010 20:57
It sounds like a "supersaw" with a slight pitch envelope on (notes kinda slide into their correct pitch). It also has a low-depth LFO on pitch/frequency to produce vibrato. I may not hear it right, but it seems like vibrato does not kick in right away. So, there may be another envelope that applies LFO at the right moment. The oscillators are definitely saws. 2 of them, maybe 3. Detuned away from each other by 6-10 cents (I think). No FM. Not sure what’s going on with filters, though.
It actually seems to be a standard Euro trance lead with a bit of pitch modulation. If you have a preset for something Tiesto-like, just use it, tweak a pitch envelope and find the right depth for the pitch LFO. In Ableton, both Analog and Operator can do all those things.