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Gated?
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Nomad Moon
IsraTrance Full Member
Started Topics :
134
Posts :
1516
Posted : Sep 24, 2009 12:56:48
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I never realy understood the concept u guys keep talking about of the gated reverb or gate compression,sorry for noob question but can someone explain it to me ? |
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geekhorde
IsraTrance Junior Member
Started Topics :
15
Posts :
207
Posted : Sep 24, 2009 14:47
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A gate raises and lowers the volume of a sound, usually in some sort of pattern. |
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Nomad Moon
IsraTrance Full Member
Started Topics :
134
Posts :
1516
Posted : Sep 24, 2009 17:14
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so if i use ie a gated reverb on an synht does it mean that the reverb will only appear a later time? |
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Ascension
IsraTrance Full Member
Started Topics :
170
Posts :
3642
Posted : Sep 24, 2009 17:21
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No. it's like this. A gate just automates the volume of whatever is being gated as it plays. If you have a normal reverb on a channel it will reverb the sound at the same volume the whole time it's on. If you put a gate on it, the volume will change depending on how your gate looks. Basically, the reverb will be more noticeable and less noticeable depending on the level in the gate.
A very noticeable gate effect is one put on a vocal sample that you hear ah ah ah ah get louder and quieter. The second track on this album has as gated vocal sample: http://www.saikosounds.com/english/display_release.asp?id=7728
  http://soundcloud.com/ascensionsound
www.chilluminati.org - Midwest based psytrance group |
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mubali
Mubali
Started Topics :
71
Posts :
2219
Posted : Sep 25, 2009 00:01
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You guys are referring mainly to a trance gate effect.
What an actual gate is is a dynamics processing effect that will silence any audio lower than it's threshold. It was mainly used in voice recording to take out any breaths or bumping of the microphone or sonic bleedthrough from using multiple mics on a band or on a drum set.
Where gated reverbs come into play is when you want to apply a significant reverb to single sounds but don't want the decay of the reverb to interfere with the other sounds being fed through that reverb. Let's take drums for instance, seeing that it's the most commonly used situation for a gated reverb. You have a drum groove going through to a reverb send with a gate on it. You reverb might have a long decay on it for the sound but you don't want it to cloud up the mix for the entire loop. So when you hats and stuff go through the reverb won't just keep sounding thereby creating this wash of reverberated sound. The gate will allow the reverb to do a portion of it's thing but once the volume drops below the threshold the sound of the reverb is cut out comepletely. Thereby giving the individual sounds that big room feel, but not allowing the whole group to sound washed out.
  An Eagle may soar, but Weasels don't get sucked into jet engines. |
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Elad
Tsabeat/Sattel Battle
Started Topics :
158
Posts :
5306
Posted : Sep 25, 2009 06:48
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or gated reverb you can do this:
open AUX channel (send fx)
insert reverb and gate after.
make quite big reverb.
now with the gate (c1 gate not trance choppers) play with treshold.. somewhere up there it will stop the reverb in sharp type with no envelope. make sure the gate setting realese 0.
  www.sattelbattle.com
http://yoavweinberg.weebly.com/ |
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Upavas
Upavas
Started Topics :
150
Posts :
3315
Posted : Sep 25, 2009 09:26
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Quote:
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On 2009-09-25 00:01, mubali wrote:
You guys are referring mainly to a trance gate effect.
What an actual gate is is a dynamics processing effect that will silence any audio lower than it's threshold. It was mainly used in voice recording to take out any breaths or bumping of the microphone or sonic bleedthrough from using multiple mics on a band or on a drum set.
Where gated reverbs come into play is when you want to apply a significant reverb to single sounds but don't want the decay of the reverb to interfere with the other sounds being fed through that reverb. Let's take drums for instance, seeing that it's the most commonly used situation for a gated reverb. You have a drum groove going through to a reverb send with a gate on it. You reverb might have a long decay on it for the sound but you don't want it to cloud up the mix for the entire loop. So when you hats and stuff go through the reverb won't just keep sounding thereby creating this wash of reverberated sound. The gate will allow the reverb to do a portion of it's thing but once the volume drops below the threshold the sound of the reverb is cut out comepletely. Thereby giving the individual sounds that big room feel, but not allowing the whole group to sound washed out.
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Thank you Mubali for writing it so beautifully!
  Upavas - Here And Now (Sangoma Rec.) new EP out Oct.29th, get it here:
http://timecode.bandcamp.com
http://upavas.com
http://soundcloud.com/upavas-1/ |
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Nomad Moon
IsraTrance Full Member
Started Topics :
134
Posts :
1516
Posted : Sep 25, 2009 13:11
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Quote:
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On 2009-09-25 00:01, mubali wrote:
You guys are referring mainly to a trance gate effect.
What an actual gate is is a dynamics processing effect that will silence any audio lower than it's threshold. It was mainly used in voice recording to take out any breaths or bumping of the microphone or sonic bleedthrough from using multiple mics on a band or on a drum set.
Where gated reverbs come into play is when you want to apply a significant reverb to single sounds but don't want the decay of the reverb to interfere with the other sounds being fed through that reverb. Let's take drums for instance, seeing that it's the most commonly used situation for a gated reverb. You have a drum groove going through to a reverb send with a gate on it. You reverb might have a long decay on it for the sound but you don't want it to cloud up the mix for the entire loop. So when you hats and stuff go through the reverb won't just keep sounding thereby creating this wash of reverberated sound. The gate will allow the reverb to do a portion of it's thing but once the volume drops below the threshold the sound of the reverb is cut out comepletely. Thereby giving the individual sounds that big room feel, but not allowing the whole group to sound washed out.
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Thats what i was talking about!I had an idea it had something to do with cleaning up the mix, in fact that's one of my main problems , so u can use it on almost everything?Leads included
Thanx to all of u for giving a hand
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Nomad Moon
IsraTrance Full Member
Started Topics :
134
Posts :
1516
Posted : Sep 25, 2009 13:18
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Quote:
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On 2009-09-25 06:48, Elad wrote:
or gated reverb you can do this:
open AUX channel (send fx)
insert reverb and gate after.
make quite big reverb.
now with the gate (c1 gate not trance choppers) play with treshold.. somewhere up there it will stop the reverb in sharp type with no envelope. make sure the gate setting realese 0.
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if i understood correctly i open another channel in cubase and send the track thru
  Tudo que é melhor e mais superior em mim saúda tudo que é melhor e mais alto em si |
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-=Mandari=-
Mandari
Started Topics :
28
Posts :
655
Posted : Sep 25, 2009 16:38
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Quote:
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On 2009-09-25 00:01, mubali wrote:
You guys are referring mainly to a trance gate effect.
What an actual gate is is a dynamics processing effect that will silence any audio lower than it's threshold. It was mainly used in voice recording to take out any breaths or bumping of the microphone or sonic bleedthrough from using multiple mics on a band or on a drum set.
Where gated reverbs come into play is when you want to apply a significant reverb to single sounds but don't want the decay of the reverb to interfere with the other sounds being fed through that reverb. Let's take drums for instance, seeing that it's the most commonly used situation for a gated reverb. You have a drum groove going through to a reverb send with a gate on it. You reverb might have a long decay on it for the sound but you don't want it to cloud up the mix for the entire loop. So when you hats and stuff go through the reverb won't just keep sounding thereby creating this wash of reverberated sound. The gate will allow the reverb to do a portion of it's thing but once the volume drops below the threshold the sound of the reverb is cut out comepletely. Thereby giving the individual sounds that big room feel, but not allowing the whole group to sound washed out.
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+1
  FUCK GENRES, LOVE MUSIC!!!!
http://soundcloud.com/mandarimedia
http://banyan-records.com |
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