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Doubts in creating Goa melodies

Sunrise Travellers
IsraTrance Junior Member

Started Topics :  17
Posts :  585
Posted : Feb 15, 2013 20:14
If you dont have musical knowledge just start your melody on the same note with bass (ex bass on G first note of melody G too) and experiment...

a nice and easy way is if you use ableton load your vst synth with the native ableton midi plugs arpeggiator and chord.

i prefet to test my melodies first with my keyboard manualy (6 years of keyboard lessons helped me a lot i must to say)

also if you check some midi files maybe will help you to understand some things.
          ...into the wild....
willsanquil
IsraTrance Full Member

Started Topics :  93
Posts :  2822
Posted : Feb 15, 2013 20:35
you don't need a MIDI keyboard. I mistakenly thought that it was an essential element for production so I went off and grabbed one for $70 - it was my 3rd piece of gear after my monitors and my soundcard.

I never use it. 95% of the MIDI notes that I enter in come from clicking in ableton, sometimes I'll use some iPad apps to generate some data but yeah unless you're actually a capable keyboard player or you dedicate a significant amount of time to learning and playing keys...I wouldn't suggest a keyboard. Not advocating AGAINST the keyboard per se, just saying that it isn't necessary for melodic creation.

For me, ableton's MIDI effects and the arpeggiator in tandem with manual editing give me all the chords and scales and shit that I could ever want.

For instance, if I want a Goa melody I create a MIDI Clip that is equal to the length of the Arp section I want to create with one long midi note at the root note that I have picked.

So my goal is to take the one long midi note and through MIDI Devices take that one note and convert it into a series of arpeggiated notes.

So the first device I use is the Chord device, which takes a MIDI note and adds in intervals for you. So I pop in a chord device, use a chord preset.

So now our single note is a bunch of notes.

Ok, so now I'll add an Arpeggiator device, set it to 1/16ths adjust the gate down to maybe 50% to start and leave the steps and whatnot alone for now.

So our one long midi note is now converted into a chord and then arpeggiated - but its not in the scale I want so I add a Scale device set to the Phrygian preset and the root note that I have chosen.

Now that we have our long MIDI note converted to a chord, arpeggiated, and being forced down into the appropriate scale we can muck around a bit. Try automating the Step/Distance. Also automating your Key Tracking in your synth can have big effects at this stage.

Once you are happy with the MIDI you are generating, create a new MIDI track and change its Input to the track that you were just working on, then arm the new MIDI track, enable record, and then hit play at the beginning of the MIDI Clip.

Now what you have is the actual MIDI data of that 'performance' - your initial one MIDI note has been converted into melodic awesomeness!

Disable all your MIDI devices and drop that newly recorded MIDI clip on top of the old 1 note MIDI clip. Now you can go nuts manually editing in little slides or riffs or what-have-you.

andddd if you don't use ableton sorry for writing a novel about something that you can't use            If you want to make an apple pie from scratch...you must first invent the universe
www.soundcloud.com/tasp
www.soundcloud.com/kinematic-records
Melange5738
IsraTrance Junior Member
Started Topics :  13
Posts :  142
Posted : Feb 15, 2013 22:26
I would go for the Behringer instead of the M-audio, both are cheap but I did not like the M-audio.

I learned music theory before I learned Arps, and I still prefer doing as much as possible by hand, except for certain stuff I would rather do with Arps. Arps makes stuff more artificial, which can be both good and bad.

I would guess Filteria does a lot of the melodies by hand, simply by the sound of it.
thecrimsonchin

Started Topics :  9
Posts :  43
Posted : Feb 16, 2013 01:40
Thank You willsanquil!! Having fun with this:)
Alien Bug
IsraTrance Junior Member

Started Topics :  27
Posts :  682
Posted : Feb 16, 2013 02:56
Quote:

On 2013-02-15 20:35, willsanquil wrote:
you don't need a MIDI keyboard. I mistakenly thought that it was an essential element for production so I went off and grabbed one for $70 - it was my 3rd piece of gear after my monitors and my soundcard.

I never use it.



heh for some people midi keyboard is useful, for some not           http://www.beatport.com/release/cross-the-atoms/1042450
http://soundcloud.com/alien-bug
http://www.facebook.com/ali3nBug
Ancient Alien
IsraTrance Full Member

Started Topics :  52
Posts :  269
Posted : Feb 16, 2013 18:21
this is a wrong post, mods can erase it
ohm mind
IsraTrance Junior Member
Started Topics :  49
Posts :  66
Posted : Feb 16, 2013 21:09
Hi mate !

I am a big fan of filteria also and I make Goatrance since five years !

Filteria use a lot of analog synth !

For making this crazy melody , for my experience you must use Phyrigian scale in different octave!
You must have on a ensemble of 32 note(one time) , a little note one octave down on C5 for exemple and all other in C6 !
I see the video of filteria where he play this track , you can see this , he push two times on C5 and after go on the other octave! understand that ?

After it's two basic saw on the different octave of square of a couple of saw and square!
A very big distortion and a lond delay and you have something very close of it !

Arpegio it's not necessary !

Why this track sound very fat ? analog synth , not plugin for distortion and delay ! he use real instruments recorded!

You can listen one of my track here :

https://soundcloud.com/ohm-mind/when-your-dreams-come-true

It's a track with a lot of filteria influence and a nitzho kick !

If I can help you more , I do it but I am really busy with my work , so I take time for answer you

Cheers

Jérémy
willsanquil
IsraTrance Full Member

Started Topics :  93
Posts :  2822
Posted : Feb 16, 2013 22:03
oh, another great thing to do for Phrygian scale melody is to learn what the intervals are in that scale.

1-2-2-2-1-2-2

That's the semitone intervals - but a lot of the time step sequencers (for instance, the lovely Sylenth1 Arp in Step mode, or Zebra) will let you put in +/-24 or so semitones. So, turn those intervals into numbers you can use, and go up more than one octave

1 - 3 - 5 - 7 - 8 - 10 - 12 - 13 - 15 - 17 - 19 - 20 - 22 - 24

So if you write those numbers down somewhere or just remember them, you can somewhat randomly throw those values into a step sequencer and get going. For instance, go into sylenth, go for bandpass filter with a lot of resonance, turn the Arp on, turn it into Step mode with 8 Wrap and throw in some of those numbers randomly and add a couple of Holds to the pattern. You should get interesting results very quickly.            If you want to make an apple pie from scratch...you must first invent the universe
www.soundcloud.com/tasp
www.soundcloud.com/kinematic-records
Djones
IsraTrance Senior Member

Started Topics :  267
Posts :  1766
Posted : Feb 17, 2013 02:31
Quote:

On 2013-02-15 20:35, willsanquil wrote:
you don't need a MIDI keyboard. I mistakenly thought that it was an essential element for production so I went off and grabbed one for $70 - it was my 3rd piece of gear after my monitors and my soundcard.





I couldn't live without my keyboard.
Often when trying to make music I get carried away when I've dialed in a a nice sound, playing the keys for an hour or so
goatrancejp
IsraTrance Junior Member

Started Topics :  19
Posts :  26
Posted : Feb 17, 2013 05:56
There exist a extremelly helpful tools to do that creat melodies becomes easy using the right tools...

i´d like to mention two ways to create that...
Vanguard/Sylenth1
Step 1- like a preset choose a lead in the octaves between (C6 - C7/ G5-G7). choose something that you notice that are related with goa sounds use your ears...
Step2- Turn on the Trancegate tool of vanguard with stereo off....
Step 3- put the mix in the middle of the trancegate, make sure that delay is on! put the delay in the middle or after the middle to the right side...
Step 4- Turn on the arp mode of the vanguard and set the speed time to something between 32/16 can be 32T/32D etc...octaves of the arp choose 2 or 3.
gate of the arp choose 16T and make some experimets changing the value to 32D/16D/etc...
Step 5- in the Amplificator choose PAN to the maximum value drive to almost everything...Ressonance change to the maximum or close of that....try to make some tests with the glide on and off....
Step 6- when the keys sounds psychedelics to you try to write some melodie on the midi and check out how that sounds....
Step 7- try to use some arp presets they fit very well to create goa sounds....
I hope i´ve helped in some way....
the big advice is use your ears, be pacient and spend some good hours in front of the VST´s
goatrancejp
IsraTrance Junior Member

Started Topics :  19
Posts :  26
Posted : Feb 17, 2013 06:09
Some knowledge of music theory helps a lot man....but psychedelic sounds does not make much sense to aply music theory.....they are psychedelic and psychedelicness does not make sense at all.....

lol
Alien Bug
IsraTrance Junior Member

Started Topics :  27
Posts :  682
Posted : Feb 17, 2013 11:46
Quote:

On 2013-02-17 06:09, goatrancejp wrote:
but psychedelic sounds does not make much sense to aply music theory....



false           http://www.beatport.com/release/cross-the-atoms/1042450
http://soundcloud.com/alien-bug
http://www.facebook.com/ali3nBug
Xsze


Started Topics :  5
Posts :  657
Posted : Feb 17, 2013 17:21
Quote:

On 2013-02-17 06:09, goatrancejp wrote:
.....they are psychedelic and psychedelicness does not make sense at all.....



Coming from someone who actually make psytrance...

Ancient Alien
IsraTrance Full Member

Started Topics :  52
Posts :  269
Posted : Feb 17, 2013 17:31
Quote:

On 2013-02-15 20:35, willsanquil wrote:
you don't need a MIDI keyboard. I mistakenly thought that it was an essential element for production so I went off and grabbed one for $70 - it was my 3rd piece of gear after my monitors and my soundcard.

I never use it. 95% of the MIDI notes that I enter in come from clicking in ableton, sometimes I'll use some iPad apps to generate some data but yeah unless you're actually a capable keyboard player or you dedicate a significant amount of time to learning and playing keys...I wouldn't suggest a keyboard. Not advocating AGAINST the keyboard per se, just saying that it isn't necessary for melodic creation.

For me, ableton's MIDI effects and the arpeggiator in tandem with manual editing give me all the chords and scales and shit that I could ever want.

For instance, if I want a Goa melody I create a MIDI Clip that is equal to the length of the Arp section I want to create with one long midi note at the root note that I have picked.

So my goal is to take the one long midi note and through MIDI Devices take that one note and convert it into a series of arpeggiated notes.

So the first device I use is the Chord device, which takes a MIDI note and adds in intervals for you. So I pop in a chord device, use a chord preset.

So now our single note is a bunch of notes.

Ok, so now I'll add an Arpeggiator device, set it to 1/16ths adjust the gate down to maybe 50% to start and leave the steps and whatnot alone for now.

So our one long midi note is now converted into a chord and then arpeggiated - but its not in the scale I want so I add a Scale device set to the Phrygian preset and the root note that I have chosen.

Now that we have our long MIDI note converted to a chord, arpeggiated, and being forced down into the appropriate scale we can muck around a bit. Try automating the Step/Distance. Also automating your Key Tracking in your synth can have big effects at this stage.

Once you are happy with the MIDI you are generating, create a new MIDI track and change its Input to the track that you were just working on, then arm the new MIDI track, enable record, and then hit play at the beginning of the MIDI Clip.

Now what you have is the actual MIDI data of that 'performance' - your initial one MIDI note has been converted into melodic awesomeness!

Disable all your MIDI devices and drop that newly recorded MIDI clip on top of the old 1 note MIDI clip. Now you can go nuts manually editing in little slides or riffs or what-have-you.

andddd if you don't use ableton sorry for writing a novel about something that you can't use




that was awesome i loved it
Ancient Alien
IsraTrance Full Member

Started Topics :  52
Posts :  269
Posted : Feb 17, 2013 17:32
Quote:

On 2013-02-16 22:03, willsanquil wrote:
oh, another great thing to do for Phrygian scale melody is to learn what the intervals are in that scale.

1-2-2-2-1-2-2

That's the semitone intervals - but a lot of the time step sequencers (for instance, the lovely Sylenth1 Arp in Step mode, or Zebra) will let you put in +/-24 or so semitones. So, turn those intervals into numbers you can use, and go up more than one octave

1 - 3 - 5 - 7 - 8 - 10 - 12 - 13 - 15 - 17 - 19 - 20 - 22 - 24

So if you write those numbers down somewhere or just remember them, you can somewhat randomly throw those values into a step sequencer and get going. For instance, go into sylenth, go for bandpass filter with a lot of resonance, turn the Arp on, turn it into Step mode with 8 Wrap and throw in some of those numbers randomly and add a couple of Holds to the pattern. You should get interesting results very quickly.




awesome, the numbers are in my head,and i love sylenth, now i have albino3,morphx and zebra2
Trance Forum » » Forum  Production & Music Making - Doubts in creating Goa melodies
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