I like it a lot, its around my style! It has a great potential to become a great track. I would add some vocal/vocoder in the second half and harmonize the bass after the first 2 minutes in the whole track... but that's just me.
keep it up!
On 2011-04-13 03:36, beowulf wrote:
I like it a lot, its around my style! It has a great potential to become a great track. I would add some vocal/vocoder in the second half and harmonize the bass after the first 2 minutes in the whole track... but that's just me.
keep it up!
Thats all great idea. Maybe i should use some vocoder tweaked effect. But i dont get what u mean by harmonize the bass.
My music http://soundcloud.com/disrupted
On 2011-04-13 04:06, Disrupted wrote:
Thats all great idea. Maybe i should use some vocoder tweaked effect. But i dont get what u mean by harmonize the bass.
Sorry, I don't have music theory, and I learned what I know by myself just by playing with the tools and my creativity... What i mean with harmonize the bass is making it follow the lead notes, changing the key note according to the lead... do you get what I mean?
By the way... are you from Montreal? Are you going to see Talamasca on April 23?
I'm going there from Toronto!
panike
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Posted : Apr 13, 2011 12:52
Quote:
On 2011-04-13 03:36, beowulf wrote:
I like it a lot, its around my style! It has a great potential to become a great track. I would add some vocal/vocoder in the second half and harmonize the bass after the first 2 minutes in the whole track... but that's just me.
keep it up!
On 2011-04-13 04:06, Disrupted wrote:
Thats all great idea. Maybe i should use some vocoder tweaked effect. But i dont get what u mean by harmonize the bass.
Sorry, I don't have music theory, and I learned what I know by myself just by playing with the tools and my creativity... What i mean with harmonize the bass is making it follow the lead notes, changing the key note according to the lead... do you get what I mean?
By the way... are you from Montreal? Are you going to see Talamasca on April 23?
I'm going there from Toronto!
Ok, i think i get it. Yes im in Montreal, but no i won't be there some friend of me is making a party that day. I hope you will enjoy!
MuckyPuh
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Posted : Apr 13, 2011 18:40
WOW - your track is really nice man
i think u should not worry to much about the name untill the song is finished - when the track is finished u just close your eyes - listen to it - see how it makes you feel - and then u will find an apropriate name for it!
i always just build more and more elements depending on the mood iam in - and in the end i just have to figure out how to get them all in a nice order - ofcourse thats just my chaotic way xD
i would mabye proceed with some nice pads or athmos - with a bit of sidechain to create a more pumping sound - but aswell this is just what i would do
Nomad Moon
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Posted : Apr 14, 2011 00:53
This has great potential! Love the main lead in the first part, Fatali type:)
Keep us updated
Vermeee
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Posted : Apr 14, 2011 12:45
tec:
very good loop .. very skilled and good quality in the sounds...
taste:
cheesy and more cheesy..sounds the same as million of others...that darn bassline those darn stabs the filter effect for the breaks darn ...this s too fuckin old....
psyraal
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Posted : Apr 14, 2011 22:31
Quote:
I'll see if i can add some pad and more atmo sounds
Try pads, not atmos, atmos are supposed to give an atmospheric state to the song, and it should be used wisely, if you do know how, where and when to use them, you will notice they can be powerful enough to distract the listener from the beat.
Often we think that pads are nice, the only problem is that they get boring, and you don't want a boring track, so it's best to use them let's say for example when a music starts, you can hear a pad and then the kick and bass combo start off, and the pad should fade away, or at least it should morph on its own into a lead or something.
https://soundcloud.com/neervos
blueball
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Posted : Apr 16, 2011 01:09
those snare are too fuckin loud , the synths u created for the dolphin and the synths that gives the goa feelin s very cool..but obviously the track s all bout those synths so that shows u are just startin ....the bassline sux coz it s the same bassline used all over again for years and as u can see if u listen to the workshop tracks 75 per cent will have that same bassline... = thats bad coz it s just one more fish in the sea...not realy a dolphin...
anyway sounds like u are just startin... good lucky in ur way...
psyraal
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Posted : Apr 16, 2011 01:15
@blueball - are you fucking kidding? copying other guys and my own words too to place them repeatedly in every thread?
@NychroLogic Yeah well i am still thinking about the intro making it with a pad might be too much cliché but still good i know.
But about atmosphere, its a thing i need to practice too adding those distant sounds and everything.
My music http://soundcloud.com/disrupted
psyraal
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Posted : Apr 16, 2011 14:59
Quote:
But about atmosphere, its a thing i need to practice too adding those distant sounds and everything.
You don't need synths or samples, whatever that are already 'away' from the listener, i mean, reverbing those sounds the right way and you can make any sound go from the front to the back of your head, left, right, it's just a matter of taste and a bit of knowledge to make some sounds pop up from the left and die in the right, look up for some info about the ohmicide vsti plugin, you can actually create time warps like time was being pull at higher speeds to the front, or to the back, combining diferent techniques and you have enough to make the crowd go "what the fuck" in the right way https://soundcloud.com/neervos