it goes from a flat to g. one half step down. this happens in a lot of dark psy I hear posted on here. Cool trick when there's lots of just plain rhythmic noises and glitchiness going on. That way there's no interference with chords and notes playing.
If you had a lead going playing on the a flat scale, then switched the bass note to g, and the lead kept playing on a flat, you could play in the key of a flat still, but you'd have to skip over the notes that sounded too dissonant to create 'good' sounding chords and harmonics.
And this song is fun. I never glitch my basslines with buffer stuff. This song must have taken forever to make with all the little micro edits. It would make my eyes bleed. Really cool song though.
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*eLliSDee*
IsraTrance Junior Member
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Posted : Apr 16, 2010 08:53
have to agree obelizk,, excellent craftsmanship there
well that dude is a mad professor... and with a lot of experience doing micro edits, which is one to the best things cubase does. It's really easy to do microediting when you can apply effects to individual audio regions offline.
An Eagle may soar, but Weasels don't get sucked into jet engines.
Supa Tu Zill
IsraTrance Junior Member
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Posted : Apr 20, 2010 21:07
Thanks everyone for replies
this was a nice tip:
Quote:
On 2010-04-16 06:52, Obelizk wrote:
If you had a lead going playing on the a flat scale, then switched the bass note to g, and the lead kept playing on a flat, you could play in the key of a flat still, but you'd have to skip over the notes that sounded too dissonant to create 'good' sounding chords and harmonics.
Gona try experiment this note dropping soon as when i get to mood and flow for dark stuff
On 2010-04-18 09:51, mubali wrote:
well that dude is a mad professor... and with a lot of experience doing micro edits, which is one to the best things cubase does. It's really easy to do microediting when you can apply effects to individual audio regions offline.
what do you mean by this.. I've always been curious why so many psy artists use cubase.. specifically the "offline" part. what does that mean?
right click on an audio file in cubase. Go to plugins, assign a plugin, tweak parameters, hit process... there you go. Offline means that it will apply the effect without it using taking away from the amount of plugins you can use in realtime.
An Eagle may soar, but Weasels don't get sucked into jet engines.
Vermeee
IsraTrance Full Member
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Posted : Apr 23, 2010 22:20
i remember the very first time i noticed micro tunings in psytrance in a festival... and i was so fucked up on LSD that at begginin i thought it was some kind of hyper mega hardware that organizers would use in the parties to filter noises of OUTER and INNER terrestrial beins and etc ... then when i get back to my city the first thing i did was to ask bout it in this forum and people laughed at me HAHA.... but i still wonder how many people realy notice those micro tunings...
i couldnt understand how the fuck that old track that i used to listen every single day was different then...
dj chichke
Chichke
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Posted : Apr 23, 2010 22:42
Quote:
On 2010-04-23 22:20, Vermeee wrote:
i remember the very first time i noticed micro tunings in psytrance in a festival... and i was so fucked up on LSD that at begginin i thought it was some kind of hyper mega hardware that organizers would use in the parties to filter noises of OUTER and INNER terrestrial beins and etc ... then when i get back to my city the first thing i did was to ask bout it in this forum and people laughed at me HAHA.... but i still wonder how many people realy notice those micro tunings...
i couldnt understand how the fuck that old track that i used to listen every single day was different then...
i'm not sure what do you mean by micro tuning. but i think what make track realy interesting even if it's monotonic is the small changes, that you think nobody can hear, but acttualy it gives the track fills more alive, and not static.
