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Composition: where to start?
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Nectarios
Martian Arts
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187
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5292
Posted : Apr 12, 2013 22:45
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On 2013-04-12 22:39, willsanquil wrote:
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On 2013-04-12 22:07, Nectarios wrote:
I should also stress that although I played drums, guitar and bass in bands since the age of 14, I never sat down to learn basic keyboard skills until the first days of playing the Doepfer. So by all means learn some basic keyboard skills while you are at it. Synths are instruments, learn to play some riffs on them.
Structure is not a bad advice, it just went out the window when I was in the studio, stoned 99% of the times.
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I am excited to come to that point - where I can just sit down, get stoned and flow and not think about what I'm doing but good stuff comes out.
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Its not always like that though... I spent last night trying to get a good tuning and tracking of the MF-102 when sequenced by the x0xb0x via CV. I got down maybe 10 seconds worth of good sounds for 3 hours work, sitting there stoned off my face trying to decide if the bloody thing was in tune or not
...ahem...
 
http://soundcloud.com/martianarts |
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Cosmo Circle
IsraTrance Junior Member
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30
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57
Posted : Apr 12, 2013 23:07
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Composition can start from many points
having a scale is a good principle, if you do the sound have his own scale, then it can be transformed in unlimited ways...
for a musitian its fairly easy, its like singing, you can express diferent kinds of feelings with notes structure and electronic music becomes even more fascinating, because you dont play only with note structure, but also with sintesis, usualy in psytrance world, the musical structure isnt much deep, most of people tend to focus their music on the mixing quality on ritmic/dance oriented music, ratter than soundesign/musical deepness...
its not to everyone to compose i believe, a well composed music it can be presented in infinit ways, it can be played or performed in whatever formula or musical style you intend, and still be recognizable... thats the greatest thing about music, its personal identity , a signature that can be recognized whatever the instrument or people who play it
i usualy dont start to compose streight away, i enjoy to explore synths first, create some patches till find a special tone or an idea, then practice notes, till find some a enjoyable sequence that later may or not be part of the final music structure...
this process is repeated, at the end i may get some hundreeds of elements that can be used for a track, and then i start exploring mixing structures...
very often i get ideas for something and take notes of it, i simply open an empty project and record it or patch it, having notes on elements may be very usefull, because making music is also a bit of collecting ideas, and sometimes its not easy to have all the good ideas at once, so it may be a slow process, but what it matters is the final result, i dont understand why some many people seem to rush their tracks, this days there is so much music out there, that people should realise that they need to make a bigger effort to actually caught the people´s interest, otherwise they will forget your music after 2 minutes.
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willsanquil
IsraTrance Full Member
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93
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2822
Posted : Apr 12, 2013 23:07
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dude, I spent an entire fuckin day the other day coming to a super, super basic realization about my sound card, and maybe 1/4" inputs in general.
They're mono for the input.
I was passing my headphone output into the input of my soundcard (as mentioned by nectarios on here a long time ago, cheers for that)...but I would pan the source left and right and on one of the pan settings I wouldn't hear anything...
I was so chuffed that it was working for so long, I have a whole ableton project file of samples from movies and shit that I've recorded only the one channel of because I have to use both inputs and record both of them to get a stereo signal.
You would think I would see that there are blatantly either 1 or 2 waveform displays when I'm recording but noooo.
I was just used to my Audio 2 DJ outputting a stereo signal through one 1/4" socket that I figured that the ins on my soundcard that are also 1/4" were stereo as well.
Probably shouldn't have gotten stoned before that session.
  If you want to make an apple pie from scratch...you must first invent the universe
www.soundcloud.com/tasp
www.soundcloud.com/kinematic-records |
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Geom3
IsraTrance Junior Member
Started Topics :
12
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479
Posted : Apr 13, 2013 03:26
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yay other people gettin shitty and miss understanding for once other than me...lol..
yep correct about the phat one tho pahhaaa.
jokin aside......true composition is your YOU,belief,readiness and concept...in time - it will all fall into place..after knowing the kno how to sound CLEAR
oh by the way i saw the new evil dead 2nite.....wow great film...
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Geom3
IsraTrance Junior Member
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12
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479
Posted : Apr 13, 2013 04:57
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On 2013-04-12 19:36, Nectarios wrote:
I start by rolling a joint.
Then stuff starts falling into place.
Just do whatever you feel like doing at the time. Working with your inspiration, instead of forcing your self to do something, is the best way to go.
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this iz the one
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PSeuDoNyM
IsraTrance Junior Member
Started Topics :
13
Posts :
62
Posted : Apr 13, 2013 10:12
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OzMike
IsraTrance Full Member
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148
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1681
Posted : Apr 13, 2013 10:50
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Come up with a good drum & bass structure, then I find the rest flows. I find my piano training is great for a good lead but a bit restrictive when it comes to getting a good flow especially in psychedelic music.
Just gather the sounds you want to use & spend as long as it takes to find where they belong in the track.
So far I've spent 18 months seriously spending minimum 3 hours a day with Ableton & some soft synths etc. and would not upload a track for anyone to hear yet.
Now I've got my first modular (Foundation 2.0) all my time on writing tunes is out the window, too much patching & tweaking to do
  Cuntus Maximus. |
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fruitopia
Started Topics :
1
Posts :
418
Posted : Apr 13, 2013 11:08
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Why not think of pads first, or sounds that evolve through 32s so you set a kind of limit and direction. After that leads drums/perc and more fx will follow. At the start is good to set the frameworks so you stay on topic afterwards. |
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makus
Overdream
Started Topics :
82
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3087
Posted : Apr 13, 2013 12:09
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On 2013-04-12 21:57, willsanquil wrote:
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On 2013-04-12 21:35, makus wrote:
no disrespect either, but this is a bad advice. learn structure? tell that to shpongle, steve roach and frank zappa i consider 'just do what inspires you' MUCH better one, just do take it literally.
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This is an interesting answer, because Posford is definitely the producer whose sound I covet the most.
Let's look at the background of some of those people you mentioned
Shpongle -
Simon Posford. Grew up in a musical household, was not classically trained but he is very well versed in quite a range of instruments that he taught himself over the years. In one of the interviews that I've seen where he talks about his youth and musical beginnings he said he 'was that guy in the band that was always saying oh can I have a go on your guitar or your drumset' - just taught himself a buttload of instruments
Raja Ram - Been a flute player since....the 60s?
steve roach - don't know him, his wiki doesn't have much in his early life besides he taught himself how to play the synth at 20
Frank zappa:
http://en.wikipedia.org/wiki/Frank_Zappa#Early_life
"By age 12, he had obtained a snare drum and began learning the basics of orchestral percussion.[12] Zappa's deep interest in modern classical music began[15] when he read a LOOK magazine article about the Sam Goody record store chain that lauded its ability to sell an LP as obscure as The Complete Works of Edgard Varèse, Volume One.[16] The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as "a weird jumble of drums and other unpleasant sounds". Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the "mad scientist" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount.[16] Thus began his lifelong passion for Varèse's music and that of other modern classical composers."
Both Posford/Raja/Zappa put in many, many years learning the basics of musical structure and form before getting to the zany places they got to...and that's one of the things that I see new producers (and I DEFINITELY include myself in this....) avoid. I know its kind of trite, but you can't break the rules if you don't know them.
Basics. Ever wonder why so much EDM and particularly psytrance is noisy bullshit and is completely devoid of anything interesting? IMO its because everyone wants to look up a youtube video of how to make the sickest psy squelch instead of actually taking the steps to be a musician and learn what that means.
Again, I am in no way accusing you makus or you nectarious of being bad musicians, far from it - I'm just saying that in the context of someone like myself with no musical training background and only a couple years in the game...the advice of 'do whatever you want' isn't very compelling.
I have spent the last 3 years learning pretty much in that way, just following whatever I feel like and that certainly can and has worked to a certain degree...but personally I have noticed a shift recently when I give myself some structured time to practice and learn in addition to that unstructured time.
My 2c - I love you all <3
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OMG! You got me, partner, nice research
What I was trying to say is that you have to go with the flow. Express yourself. Just do what you feel like doing. Music is an art of self expression. Bring emotion to your tracks using tools you like. I think this is more than enough for the topic: "Composition: where to start?".
Of course if you want you can go and insert some track into your DAW and analyze it and recreate its structure and learn from it (or just copy it) and you will get a track eventually but I think that would limit your own imagination/approach to some extent.
I would say: do whatever you feel like doing at the moment and you will get results. The more you will focus on translating your ideas into sounds the more unique result you will get. And this is what we are lacking today: distinctive character, individuality, singularity, uniqueness. Because everybody knows structure.
PS
this is an example of a melody i played recently in a track:
Isn't that a self expression?   
www.overdreamstudio.com |
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Upavas
Upavas
Started Topics :
150
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Posted : Apr 13, 2013 13:39
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Jamming is how I started out, without any experience or knowledge of synths, workflow and so on, then came years of learning technique, once I learned the technique I learned how to break the rules, still at it... but I like the advice Makus gave, just go ahead and start creating what you love... the rest will follow...
  Upavas - Here And Now (Sangoma Rec.) new EP out Oct.29th, get it here:
http://timecode.bandcamp.com
http://upavas.com
http://soundcloud.com/upavas-1/ |
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PoM
IsraTrance Full Member
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8087
Posted : Apr 13, 2013 13:57
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to the op at your point you could maybe experiment with chords progressions and then work on some leads then fxs , if you want progressive flow,slow and intelligent, it s easier to make first a more heavy and full part ..the part when things start to get more heavy... then you can chope everything in small part thattanswer to each other with some synths fx to fill the first minutes.. but depends the style you wanna make..
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PoM
IsraTrance Full Member
Started Topics :
162
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8087
Posted : Apr 13, 2013 14:26
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Quote:
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On 2013-04-13 12:09, makus wrote:
I would say: do whatever you feel like doing at the moment and you will get results. The more you will focus on translating your ideas into sounds the more unique result you will get. And this is what we are lacking today: distinctive character, individuality, singularity, uniqueness. Because everybody knows structure.
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+1
making music to share and express ourself.. not to sound like this or that..it s in the second case everyhting become more complicated,structure ect.. |
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Nectarios
Martian Arts
Started Topics :
187
Posts :
5292
Posted : Apr 13, 2013 14:31
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On 2013-04-13 10:50, OzMike wrote:
Now I've got my first modular (Foundation 2.0) all my time on writing tunes is out the window, too much patching & tweaking to do
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This is me from 2001 to 2003. It will pay of in the end though, as you will teach your self a lot of things and then tunes are going to start flowing out, like water and it will feel so rewarding, cause the sounds you will use, will be totally your own.
 
http://soundcloud.com/martianarts |
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Upavas
Upavas
Started Topics :
150
Posts :
3315
Posted : Apr 15, 2013 23:12
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I am excited to come to that point - where I can just sit down, get stoned and flow and not think about what I'm doing but good stuff comes out.
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Its not always like that though... I spent last night trying to get a good tuning and tracking of the MF-102 when sequenced by the x0xb0x via CV. I got down maybe 10 seconds worth of good sounds for 3 hours work, sitting there stoned off my face trying to decide if the bloody thing was in tune or not
...ahem...
[/quote]
I know where you're coming from Nectarios, and then there is sometimes the feeling when it just flows, I keep going,finish something up, listen to it the next morning and think to myself that WOOOW, how the fuck did this come out so nice... I am sure you know that one too ;-)
  Upavas - Here And Now (Sangoma Rec.) new EP out Oct.29th, get it here:
http://timecode.bandcamp.com
http://upavas.com
http://soundcloud.com/upavas-1/ |
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Nectarios
Martian Arts
Started Topics :
187
Posts :
5292
Posted : Apr 16, 2013 00:44
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