| Author
|
Can Anyone explain how to use M/S decoders properly?
|
jizy
IsraTrance Full Member
Started Topics :
90
Posts :
1493
Posted : Jun 5, 2009 12:52
|
Quote:
|
On 2009-06-05 04:14, Colin OOOD wrote:
Just to check, you've got an S1 or something on the end of the FX returns to turn them back into L/R, yeah?
|
|
yeh ,
|
|
|
jizy
IsraTrance Full Member
Started Topics :
90
Posts :
1493
Posted : Jun 5, 2009 12:53
|
i use brainworx digital now, that wus just for people that havnt got Brainworx digital.
Yeh defo at the end of the chain M/S inputs and the Outs to L&r
|
|
|
|
jizy
IsraTrance Full Member
Started Topics :
90
Posts :
1493
Posted : Jun 5, 2009 12:59
|
[quote]
On 2009-06-05 10:14, gutter wrote:
Quote:
|
On 2009-06-04 18:29, D-Alien wrote:
imagine I want to apply MS to my hats, pecussions, leads, backgrounds etc, but with diferent setting for every channel?
|
|
good luck 
finally what people were missing so long for a great production was the MS technique.
i call that plugin enthusiasm disease
and its pointless
MS is for mastering not for mixing
[/quote)
ok mate u know best.  There is no fucking rule Gutter Mastering, mixing , Youll be no good to Mastering engineer if u cant offer A sonicly balanced mix
|
|
|
|
Colin OOOD
Moderator
Started Topics :
95
Posts :
5380
Posted : Jun 5, 2009 16:37
|
|
gutter
Inactive User
Started Topics :
54
Posts :
3018
Posted : Jun 5, 2009 16:46
|
imho
|
|
|
|
jizy
IsraTrance Full Member
Started Topics :
90
Posts :
1493
Posted : Jun 5, 2009 17:24
|
Your opinion is a threat to young producers that require more skills and techniques to push ourselves further into the Sonic Field Gutter.
i hope no one gets tought by u mate - no offence but com on man how can u say that dude. Its like sayin that a compressor is only used for mastering
|
|
|
|
D-Alien
Oxidelic
Started Topics :
51
Posts :
619
Posted : Jun 5, 2009 17:42
|
Quote:
|
On 2009-06-05 10:14, gutter wrote:
Quote:
|
On 2009-06-04 18:29, D-Alien wrote:
imagine I want to apply MS to my hats, pecussions, leads, backgrounds etc, but with diferent setting for every channel?
|
|
good luck
finally what people were missing so long for a great production was the MS technique.
i call that plugin enthusiasm disease
and its pointless
MS is for mastering not for mixing
|
|
we like to surf the waves of the evolution (which includes the technological one too  ) other like to stay in one place for years.
I think in the end we are speaking the same thing...
and yes if recently almost every decent EQ can operate in M/S mode I'm sure it is not just because of the mastering process (which is also totally right)
Also Mid/Side processing is used and have ben used for yyyeeeaaaarrssss, how many? 30-40-50 or more? and not just for mastering. for vocals, for guitars, keyboards...
Just nowadays everything is much easier to achieve and this way all of us have more time to really CREATE than loosing time and space in triplicating tracks, swapping fazes, etc...
Also, and please sorry for my long posts, there is so much Logic in this. Why have the same mono signal in two channels messed up with the stereo one, when we can have the mono information in One channel and the stereo information in another? There is so much logic in this so really once a person have tried extensively its benefits, it is almost impossible to reject them, right?
Hugs to all friends and keep tweaking the wheels of evolution people.
 Sound:
www.myspace.com/oxidelic
www.myspace.com/setanicmusic
Image:
www.antumbra-studio.com |
|
|
|
jizy
IsraTrance Full Member
Started Topics :
90
Posts :
1493
Posted : Jun 5, 2009 18:00
|
|
exacly! cheers D-Alien
|
|
|
|
