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Best kept secret...
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Upavas
Upavas
Started Topics :
150
Posts :
3315
Posted : Oct 24, 2012 03:09
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PoM
IsraTrance Full Member
Started Topics :
162
Posts :
8087
Posted : Oct 24, 2012 11:49
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in production if some things are kept secret it s often cause their tricks are so simple that they have to hide it . |
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Cardinals Cartel
Black Machine
Started Topics :
191
Posts :
3097
Posted : Oct 25, 2012 03:40
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Smoke ginger  .. You know everything !
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minddoctorsmakeacid
IsraTrance Full Member
Started Topics :
74
Posts :
577
Posted : Oct 25, 2012 12:22
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Ricciardo
IsraTrance Junior Member
Started Topics :
10
Posts :
188
Posted : Oct 25, 2012 14:01
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Oatmeal free vsti
when you known how to modelate the beast, you dont need to pay for plugins anymore. |
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aje
IsraTrance Full Member
Started Topics :
99
Posts :
1145
Posted : Nov 6, 2012 15:42
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Nectarios
Martian Arts
Started Topics :
187
Posts :
5292
Posted : Nov 6, 2012 15:56
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Sunrise Travellers
IsraTrance Junior Member
Started Topics :
17
Posts :
585
Posted : Nov 6, 2012 16:02
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Quote:
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On 2012-11-06 15:56, Nectarios wrote:
My weed.
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Classic! works every time 
 ...into the wild.... |
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knocz
Moderator
Started Topics :
40
Posts :
1151
Posted : Nov 6, 2012 18:19
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On 2012-11-06 15:56, Nectarios wrote:
My weed.
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Nowadays this is becoming harder and harder to get..
I'd say my secret is an onion and a way of thought.
The industry has pushed people of thinking of music as tunes, as songs, as a tangible product that can be passed around like a dewbie and, particularly, something that an be sold as a product.
So, try to think outside of the cave, try to make something new and good (sounding), and please try to make something you can play! That's what it's all about, to play and listen, but with you in control, however if the track is already rendered there is no control.
I like to make my tunes like an onion, a sweet-sour fruit (or vegetable) with layers on top of layers that can be unpeeled and combined to get into a certain texture or emotion, as a tool to use live. To make real live acts, not BS live PA's where people press the space bar and tweak their unplugged equipment to oblivion.
The track, is a latter result of someone pressing record and "immortalizing" a determined interpretation of the artists "onion". Not the other way around.
I've got a friend of mine who plays live only with MIDI, no audio loops anywhere, so (although he must have a potent machine and is susceptible of errors), he can turn anything into anything else due to having control straight in the source.
Ah, another cool secret: http://forum.isratrance.com Super Banana Sauce http://www.soundcloud.com/knocz |
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Alien Bug
IsraTrance Junior Member
Started Topics :
27
Posts :
682
Posted : Nov 6, 2012 21:30
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Quote:
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On 2012-11-06 18:19, knocz wrote:
Quote:
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On 2012-11-06 15:56, Nectarios wrote:
My weed.
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The industry has pushed people of thinking of music as tunes, as songs, as a tangible product that can be passed around like a dewbie and, particularly, something that an be sold as a product.
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i know your point but history says something different 
look back  hundreds years ago musicians make music for the money. they traveled the world playing in order to earn $. it was quite recently when people started to to add ideologies to music as something more than just a product. so it's not a industry job. things just look like that all the time ;]
http://www.beatport.com/release/cross-the-atoms/1042450
http://soundcloud.com/alien-bug
http://www.facebook.com/ali3nBug |
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knocz
Moderator
Started Topics :
40
Posts :
1151
Posted : Nov 7, 2012 03:28
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Quote:
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On 2012-11-06 21:30, Alien Bug wrote:
i know your point but history says something different
look back hundreds years ago musicians make music for the money. they traveled the world playing in order to earn $. it was quite recently when people started to to add ideologies to music as something more than just a product. so it's not a industry job. things just look like that all the time ;]
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I've got nothing against that. Equipment costs money, cables cost money, travelling and performing a set has costs. I believe in the concert, in the act.
Making an album takes time and costs money. so does making software (I do that for a living), but making 1000 or 1.000.000 copies of a compiled program or ant album costs about the same (less the cd and cover costs, but in a digital scene).
What I mean is to actually do stuff live (another fake act "hater"), and that actually seems like a best kept secret cause of the amount of fakers out there. Heck, a DJ with a pair of CDJ's and a mixer does more than over half the live acts I've played before / after, as he actually mixes the tunes together.
Super Banana Sauce http://www.soundcloud.com/knocz |
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tokolosxi
IsraTrance Junior Member
Started Topics :
15
Posts :
117
Posted : Nov 7, 2012 13:26
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@Upavas.....I am sure I know which one you're referring to....especially if it's simple.....its free and it starts with a b....hehe |
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