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Androcell - Efflorescence [Celestical Dragon; 2006]

furthur
IsraTrance Junior Member

Started Topics :  45
Posts :  1383
Posted : Mar 17, 2006 08:08
Androcell – Efflorescence

Artist: Androcell (USA http://www.androcell.com)
Title: Efflorescence
Format: CD (digipack)
Label: Celestial Dragon Records (Hong Kong http://www.sonic-dragon.com)
Cat. #: CDREC-03
Date: March 2006
Mastered by: Simon Polinski
Artwork: Tyler Quasga Smith

Track listing:

01. 09’10” Process of Unfolding
02. 07’39” Neurosomatic Circuit
03. 07’58” Atmos-Spheres
04. 07’37” Spectral Processor
05. 06’54” Aes Dana – Natti Natti (Androcell rmx)
06. 08’51” Efflorescence
07. 07’21” Gnome Dosed
08. 07’02” Dub Crickets

Review:

Music is “the immediate language of the will, and we feel our fancy stimulated to give form to this invisible and yet so actively stirred spirit-world which speaks to us”. (Nietzsche on Schopenhauer’s understanding of music)

After three weeks of enjoying this new album, I have decided it was time to review it. First of all, I would like to mention that personally I have found that I got into this album much faster than I got into Emotivision, which took me several months to really start appreciating it. But then again, maybe having his first album as one of my favourites for the past year allowed me to delve deeper and faster into Androcell’s sophomore attempt: Efflorescence (either “a gradual process of unfolding or developing” or “the highest point; the culmination” as per the back of the digipack).

So without further ado, dimming the lights, getting out the booklet with the artwork that accompanies each song and pouring myself some tea, I slip Efflorescence into the CD player.

1. Process of Unfolding: Having my personal hero, RAW, open up the album with a musing on space-time is a good omen. The extremely cerebral intro takes its time to unfold scratching the audience’s brains in the process. Only at three minutes do we get a steady very tribal percussion and a chanting (one that will stay with us throughout the song) to go along with it. The layers of sound just keep on piling onto each other without disturbing one another. Exactly at 4:20 (coincidence?), the beat really takes off suggesting the hypnosis that is to come. The process of unfolding proves to be highly energetic as well as very relaxing at the same time. Depending on the mood, one could either chill to it nodding one’s head at the opportune moments or really let loose on the dance floor trying to keep up with the drums. Right off the bat, it seems that the drumming got even more intricate in Efflorescence than it was in the debut album. The didgeridoo-infused outro contains another RAW sample and takes us very seamlessly into

2. Neurosomatic Circuit: where vocals are beautifully woven into a melody that is extremely present, much more so than in the first song. Here we get a steadier dubby bassline, around which other sonic layers will be assembled. The song itself with its repetitive patterns could activate a couple of neurosomatic circuits, whether one has eaten it, smoked it, or just listened to the piece. This is definitely some very heady and extremely psychedelic material, not your background chill stuff. Slower than the opener, Neurosomatic Circuit is meant to make one float away to whatever beautiful world one has been seeing in hir dreams recently. Makes me think of being on a far away planet and reminiscing about an Earth sunset, one [manly of course] tear rolling down my cheek.

3. The transition into Atmos-spheres is slightly more noticeable than the previous one but one could still easily mistake the third song for a continuation of the previous. On this one, we are treated to some more floating atmos-spheric scapes surrounding the heavy but not overly present bassline. The melody is once again something very much in the foreground, but we get another dose of particularly involved percussion encircling it not interfering with the very distinctive trancy feel that the song has. This should be dropped in the middle of a set when everyone is deeply immersed into hir own worlds. We are always brought back to ourselves (who are by now with those we belong with in the clouds) though by a slow but constant addition of sounds into the mix. Can’t wait until I upgrade whatever needs to be upgraded and watch the video that goes with this song.

4. Spectral Processor: While it is also mixed into the previous song very well, this is the first time we can distinguish the beginning of new song. Right after Raw delivers his “Think of the universe as an enormous computer”, we are swept by a rhythmic thumping that erupts very quickly into a sonic frenzy; forget staying seated. This piece is a bit less intricate musically, but what it has lost in that realm it gains on the dance floor. After having spectrally processed a couple of little pieces of paper a couple of weeks ago, by this song my body was totally out of control and undulating to the beat without me having any say in it (ahh, the memories). This could fit very well into the suspenseful moments of the soundtrack to 3001: A Space-Time Odyssey, dissolving at the end into a peaceful epilogue.           Load Universe into Cannon. Aim at Brain. Fire.

www.ganesha.ca
furthur
IsraTrance Junior Member

Started Topics :  45
Posts :  1383
Posted : Mar 17, 2006 08:08
5. Aes Dana - Natti Natti (Androcell rmx): Right from the start we are in anticipation mode, and at about 40 seconds, that steady Aes Dana bassline gets underway and soon thereafter Shenyah Webb’s beautiful vocals come along to keep it company. This has a more ominous and darkly mystical quality to it than the rest of the album so far. The contrast between the spacey slowed down trance that we have come to know in Aes Dana’s work and the down-to-earth soul-piercing female singing works very well here. Anyways, the singing is very very beautiful, but I miss the detailed percussion work I have grown accustomed to during the past half-hour. Good, but is for me one the weaker pieces here. If not for the vocals, it would probably be quite forgettable.

6. Efflorescence: First of all, I have to mention that while all the accompanying artwork is very nice, this one (the one we also see on the cover) blows me away completely. After that spacey atmosphere of the previous, we get a very ethnic-influenced song with lots of aquatic sounds and sounds of nature woven into the mix. The title song also takes its sweet time to launch, something I appreciate a lot. All of a sudden we are treated to a robotic electro-type singing, which works very well here (I love contrasts, especially when they are done well). While very elaborate once again, this song gives the impression of being one of the simplest here, which is why - the minimalist that I am – I enjoy it so much. Another fine example of the massive production levels Androcell has achieved, taking elements that could easily clash and putting them together in such a way so as to seem to be meant for each other from the beginning.

7. Gnome Dosed: where the crickets make their first noticeable appearance in the intro, and the dub is once again the driving element. This is not only a standout on an album where standouts are really hard to pick; it is definitely a standout in electronic downbeat. Bouncy psychedelic colourful electronic dub at its best. Nothing else to say. This is where music becomes the highest purpose of man and language would be but a poor imitation if an attempt to describe the music was undertaken. A full return to the Dionysian cannot be far off.

8. Dub Crickets: where the cricket theme is taken further and things get toned down a bit for the closing of what was quite an engaging listening experience. This song was clearly made with spliff smoking in mind. Very hypnotic once again without forgetting the mind-twisting dose the psychoanalyst has prescribed. This is where one’s being is completely stripped down and the producer succeeds in reconstructing the audience slowly piece by piece while putting together the structure of the song. Dub Crickets turns out to be yet another proof that a wedding between a Jamaican bassline and a Middle Eastern singing could work very well, especially if the two spouses are such complete individuals in themselves. A befitting emotional ending to a roller coaster of an album slowly dissolving into a field full of crickets.

All in all, this is a huge effort by Androcell that will be playing in my stereo for decades to come. A combination of sounds that seems effortless, which is how such high quality music should sound, effortless. There is enough material here to keep the body and mind entertained and engrossed no matter what is happening outside of the headphones. Androcell took the ethnic and dubby elements of Emotivision and threw in a heavy dose of tribal for good measure, which makes the album even more danceable than its predecessor.

I can see what would make its critics accuse it of being plastic; there is indeed quite a bit of repetitiveness, but that is what makes it so hypnotic and entrancing. Do not get me wrong, there is not a second where the album gets boring. It must be the bassline that sounds plastic to the critics, but lets get real, this is electronic music, and Efflorescence is as far away from plastic as electronic music gets. There are no new ingredients here per se, but the cauldron has never seen such a mix of these ingredients before, not my cauldron at any rate. I cannot even fathom how good this will sound once it will have had a year to grow on me, because this type of music, when done right, always sounds better with time.

Two more elements must get special mention here, elements that are sometimes forgotten. One is the flow of the album. The harshest critic cannot say that this is a bunch of songs thrown together; no, this is a prime example of what they call a concept album. It keeps you on edge throughout the duration. As mentioned above, the first three songs play like one and the transitions are seamless afterwards as well, with the exception of the evolution of Efflorescence into Gnome Dosed.

The second element that deserves its own paragraph is one that will go unnoticed by none: the artwork. The cover art is sublime, and the blend of the organic and the digital is very representative of the music. Furthermore, there is a booklet inside with a page dedicated to each song. While a couple are not exactly my cup of tea, some others are worthy of hanging on my walls, and I am extremely hard to please when it comes to visual art, and especially what they call psychedelic visual art. The standout pages for me are the first 2, number 6 and 8.

The songs are all of very high caliber here, with number 5 being only good for me, and numbers 2,4 and 8 being extraordinary and as already mentioned 7 being out of this world.

All in all, this is a highly recommended album for any lover of chillout electronica (didn’t want to say downtempo because the tempo becomes quite “up” in places) and an absolute must for a lover of ethnic or dubby influences in said genre. 9.4/10           Load Universe into Cannon. Aim at Brain. Fire.

www.ganesha.ca
ori_k
IsraTrance Junior Member

Started Topics :  13
Posts :  222
Posted : Mar 17, 2006 12:59
a superb album that touches remote magical places in your mind.
also beutiful artwork&track names
btw you wrote an amazing review(furthur)
Rui Ferreira
IsraTrance Junior Member

Started Topics :  43
Posts :  744
Posted : Mar 17, 2006 13:53
Very nice album indeed and very nice review furthur
tony4007
IsraTrance Junior Member

Started Topics :  20
Posts :  145
Posted : Mar 25, 2006 00:11
very nice review indeed tyler is in a whole other dimension
Rah
IsraTrance Full Member

Started Topics :  77
Posts :  498
Posted : Mar 28, 2006 05:51
Artist: Androcell
Album: Efflorescence
Label: Celestial Dragon
Web: http://www.sonic-dragon.com , http://www.Androcell.com
CAT: CDREC-03
Sonic-Energy: http://www.sonic-energy.net/core/content/view/192/2/


1. Process of Unfolding
2. Neurosomatic Circuit
3. Atmos-Spheres
4. Spectral Processor
5. Aes Dana – Natti Natti (Androcell Remix)
5. Efflorescence
6. Gnome Dosed
7. Dub Crickets


What's This About

Efflorescence is the act of gradually unfolding to reach the peak of development. Tyler Smith graphic design director for Saiko Sounds is also behind most of the covers for Sonic Dragon, as the moniker of Quasga. After a two year gap from the debut album Emotivision, Mr. Smith makes a return to his musical inclinations charged with new proposals & an undeniable growth as an artist in both fields. Like is tradition now, the smoker-friendly beats and psychedelic artwork splash the release with eight stories designed with sight and sound in mind.


Per-Song Break Down


1. Process of Unfolding *

"We experience the feeling that this body right here and now, is only a cross section of a process that has been going on for 4 billion years on this section of space… It is not a story of processes out of control, it’s a story which gives unto every part of the unfolding experience." the unfolding is translated in sonic terms as a tingling, gliding effect that gently erupts and boils as if photosynthesis itself actually made a sound. The voice that accompanies the journey turns into jabbing noises liquefied by the green fluid itself, enveloping the xylophonic beats as the lake bubbles... in this section of space.


2. Neurosomatic Circuit *

The circuit is strangely soulful number, slowing the pace down and exploring dubby material which is strangely native and glitchy-synthetic all at once. Mixing influences and genders with ease, it begs the question of whether a clear artistic identity has formed beyond adapting all these influences, to throw them in a mix that sounds pleasing. Well, who cares… digital habibi, with dub undertones, binary crickets and a Smoker’s Delight aura does the trick for me.


3. Atmos-Spheres *

“You truly belong with us here among the clouds…” Atmos-Spheres remains atmospheric (duh), with a Hindu-type of whistle performed by Agalactica (Philip Khripkov), accompanied by a trip hop-ish beat that is ever so slender and pointy. Once again the digital distortion comes into play as a rhythmic topping, over the gently breezing melodies and the feeling we are listening to a lounge tune that has been spiked with a pinch of heaven.


4. Spectral Processor *

The first minute of ambient delight with paddy lines unfurling amidst modern-day Global Communication intonations (think Pentamerous Metamorphosis), reflects a successful adaptation to beat-oriented older IDM material, back when it made sense and it was truly floating-away music. Really touching without deflecting into the Hindu vibes, with a sense of magnificence and universality that screams for an ambient remix by Carbon Based Life Forms.


5. Aes Dana - Natti Natti (Androcell Remix) *

Taking on the mammoth of Natti Natti by Aes Dana, originally presented in the Season 5 album -and what farken amazing CD it was- Androcell twists around the original version successfully with his own ideas, vocals and effects. I might go as far as calling it better than the original. Aes Dana is great but the general pace of their tunes is too slow and once we hit the sweet spot, it never changes. The remix sweetens the deal with more interaction and dynamism in the different elements that unfurl and recoil back, keeping the interest alive.


6. Efflorescence

Besides having the best daft punk vocodic homage I have heard in a while -considering I was never an ‘Around the World’ fan- I’m not to keen on them, but that’s just me. The breaks that could well be mixed with slower house tunes, work very effectively with the arpeggiated melodies and the flute is just as tasty.


7. Gnome Dosed

If the thought of dub with a Caribbean slice had gone amiss for your taste, the Gnome Dosed spells redemption with all those great delays and warm rhythms, without saddling along aimlessly. I really enjoy the detuned harp-type of line fitting into place with the other elements; but within the genre I just feel like this theme has been repeated one too many times. Anyway, I agree with the gnome, it is very ppssyyycchhhedeliwwic…


8. Dub Crickets *

Welcome to the island: Tis’ twilight and the full moon overlooking a turquoise blue ocean shore, with waves gently breaking by a reef covered in golden sand. A female chants as effects scratch and jump back amongst the kicks entwined deliciously in sweet piano lines. From the corner of your eye you notice the Rasta-mon looking at you funny… wondering, perhaps… if you’ve had too much, but not nearly enough…



All and All

Having a superficial knowledge of Androcell’s album it hit me, perhaps this could be a decent electronic dub fusion that sadly we don’t see much in these musical confines of chill out, with the exception of Capsula perhaps. Efflorescence proved to be so much more, unfolding the myriad creases of detail that hide from superficial skip-through sessions. This album is made to be played again and again until the glossy booklet is worn out, in the joyous discovery of the secrets that lay ahead.



Where to Buy


http://www.saikosounds.com/english/display_release.asp?id=5439

http://www.psyshop.com/shop/CDs/cdr/cdr1cd001.html
          elementoftime.net
musique à la carte in mp3 & wav.

Sonic-energy.net
Reviews, interviews, downloads, articles.
blueOrb
IsraTrance Full Member

Started Topics :  100
Posts :  1698
Posted : May 23, 2007 07:00

aye how come such amazing cds get only a bunchful of reviews????? looks like its too much trance going on for israheads hehe

sounds so fresh to me even after more then a year ....still play 2,3,5 and 6 in my sets

tyler rocks!!!!!!!

keep up the amazing work man ...cant wait for a new album           New mixes on
http://soundcloud.com/blueorb

Older Mixes on
http://blueorb.podomatic.com/
Meta-Morphosis
IsraTrance Senior Member

Started Topics :  216
Posts :  4980
Posted : Feb 20, 2008 08:47
Beautifull album, i cant believe we dont have many posts on it, this is an album as someone said " touches the remote magical places in our minds "

Process of unfolding, Neurosomatic Circuit and Atmo-sphere tracks are TIMELESS. and the artwork on the album is breathtaking, very well conceptualised album:good:

Androcell, we want more of your sublime work, all the shanti mate
           “What we need is the development of the Inner Spiritual man, the unique individual, whose treasure is hidden in the symbols of our mythological tradition and in man’s unconscious psych.” - CJ Jung
Yidam
IsraTrance Full Member

Started Topics :  144
Posts :  3171
Posted : Feb 20, 2008 10:36
This one was a definite benchmark in psychedelic chillout.... nothing like it!

Tyler's releasing new material under the name "Distant System"
http://forum.isratrance.com/distant-system-spiral-empire-cdrec-12/

more spacy than Androcell.

I for one will always love the Androcell sound as it's something completely unique. Psychedelic in the way of fantastic worlds with superb newage ideas and sounds... emotionfull... ranging from melancholy to joyous dance.

@ LSD-25 ... http://www.androcell.com/gallery/quasga-album-covers
just goes to show how multi talented he his.
if you like Atmo-spheres, here's the video...
www.youtube.com/watch?v=2MQ4r4w1CLs


Meta-Morphosis
IsraTrance Senior Member

Started Topics :  216
Posts :  4980
Posted : Feb 20, 2008 14:24
Thanks a lot for those links varun




Purple haze            “What we need is the development of the Inner Spiritual man, the unique individual, whose treasure is hidden in the symbols of our mythological tradition and in man’s unconscious psych.” - CJ Jung
sure_smoke_alot
IsraTrance Junior Member

Started Topics :  45
Posts :  6874
Posted : Feb 20, 2008 14:29
Quote:

On 2008-02-20 10:36, Yidam wrote:

I for one will always love the Androcell sound as it's something completely unique. Psychedelic in the way of fantastic worlds with superb newage ideas and sounds... emotionfull... ranging from melancholy to joyous dance.




Hell Yea           the problem with valuing art is, till u dont understand it, it's worthless but wen u do understand it, it's priceless!!
Basilisk
IsraTrance Full Member

Started Topics :  168
Posts :  2984
Posted : Feb 21, 2008 11:30
Everything has been said. This is an essential piece of music and a great work of art.
PlutoDelic
IsraTrance Junior Member

Started Topics :  12
Posts :  244
Posted : Feb 22, 2008 16:12
Quote:
2. Neurosomatic Circuit: where vocals are beautifully woven into a melody that is extremely present, much more so than in the first song. Here we get a steadier dubby bassline, around which other sonic layers will be assembled. The song itself with its repetitive patterns could activate a couple of neurosomatic circuits, whether one has eaten it, smoked it, or just listened to the piece. This is definitely some very heady and extremely psychedelic material, not your background chill stuff. Slower than the opener, Neurosomatic Circuit is meant to make one float away to whatever beautiful world one has been seeing in hir dreams recently. Makes me think of being on a far away planet and reminiscing about an Earth sunset, one [manly of course] tear rolling down my cheek.



a journy into light, what a track :D:D           PSYKS
Med
IsraTrance Junior Member

Started Topics :  19
Posts :  583
Posted : Feb 25, 2008 06:56
Indeed its a lovely album,melody to escape with and let your mind float over clouds... Neurosomatic Circuit is my fav,its just different,its been 2 years and this album still sounds fresh for my ears .           Its Like a Drop That Falls Into the Ocean,or Perhaps the Ocean is Falling Into a Drop.
famiable
IsraTrance Junior Member

Started Topics :  19
Posts :  201
Posted : Aug 31, 2009 20:51
A classic for sure..impresses me every time I listen to it..great music Tyler..looking forward to your next Androcell album:)
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